Sibelius: Symphony Nos. 6 & 7

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A most enjoyable conclusion to Petri Sakari's Sibelius symphony cycle. Sakari's Sixth impresses by dint of its unpretentious honesty and quiet cogency. As on previous instalments within this... — Gramophone Classical Music Guide, 2010 More…

Catalogue No: 8554387
Label: Naxos
Length: 71 minutes

Usually despatched in 3 - 4 working days

Sibelius: Symphony No. 6 in D minor, Op. 104

Work length30:32

$7.00

$9.05

Iceland Symphony Orchestra
Petri Sakari

I. Allegro molto moderato

Track length9:15

$2.00

$2.60

II. Allegretto moderato

Track length6:57

$1.00

$1.30

III. Poco vivace

Track length3:39

$1.00

$1.30

IV. Allegro molto

Track length10:41

$3.00

$3.85

Sibelius: The Tempest, Op. 109

Work length18:14

$8.00

$10.40

Iceland Symphony Orchestra
Petri Sakari

I. Chorus of the Winds

Track length3:46

$1.00

$1.30

II. Intermezzo

Track length2:30

$1.00

$1.30

III. Dance of the Nymphs

Track length1:55

$1.00

$1.30

IV. Prospero

Track length1:41

$1.00

$1.30

V. Song I and II

Track length2:07

$1.00

$1.30

VI. Miranda

Track length2:20

$1.00

$1.30

VII. The Naiads

Track length1:27

$1.00

$1.30

VIII. Dance Episode

Track length2:28

$1.00

$1.30

Sibelius: Symphony No. 7 in C major, Op. 105

Work length22:45

Album only

Iceland Symphony Orchestra
Petri Sakari

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Reviews

2010

A most enjoyable conclusion to Petri Sakari's Sibelius symphony cycle. Sakari's Sixth impresses by dint of its unpretentious honesty and quiet cogency. As on previous instalments within this series, the Icelanders respond with a keen fervour as contagious as it's heartwarming. Their woodwind roster comprises an especially personable bunch, and if the strings inevitably lack that very last ounce of tonal clout and sheer composure provided by, say, Karajan's Berlin Philharmonic or the San Francisco Symphony under Blomstedt – to name but two of the strongest rivals – there's no missing the touching expressive warmth they bring to the work's transcendental closing pages.
In Sakari's hands both outer movements develop real fire and purpose, and he uncovers plenty of happy detail along the way – the distinctive colouring of the bass clarinet being one of this performance's chief pleasures.
Sakari's Seventh, too, is very good indeed, patient and imaginative in the manner of Vänskä, or Sanderling's much underrated, irresistibly sinewy 1974 recording with the Berlin Symphony Orchestra. Perhaps the Iceland Symphony's principal trombonist could have been just a touch more assertive for that heroic initial solo six bars after fig C, and the timpanist appears to enter a bar late just before fig E, but the only sizeable niggle concerns Sakari's not-quiteseamless handling of that tricky Poco a poco affrettando transition passage into the Vivacissimo section beginning at fig J, itself not entirely free of a certain breathless fluster. All this means that Sakari's conception as a whole isn't as thrillingly inevitable an experience as Koussevitzky's, Maazel's or Boult's masterly 1963 concert relay with the RPO. That said, Sakari builds the shattering Largamente climax at fig Z superbly, and the closing bars are exceptionally fine. Not a front-runner, perhaps, but no mean achievement all the same. Well worth investigating at Naxos price.

… the textures are clear and lively ...with the added attraction of the second Tempest suite - the opening Chorus of the Winds is ravishingly done - the Naxos disc is a strongly recommendable bargain.

Sibelius: Symphony Nos. 6 & 7

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