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Federico Mompou: Variaciones sobre un tema di Chopin
Theme (Andantino)
Variation I (Tranquillo e molto amabile)
Variation II (Gracioso)
Variation III (Pour la main gauche - Lento)
Variation IV (Espressivo)
Variation V (Tempo di Mazurka)
Variation VI (Recitativo)
Variation VII (Allegro leggiero)
Variation VIII (Andante dolce espresivo)
Variation IX (Valse)
Variation X (Evocation)
Variation XI (Lento dolce e legato)
Variation XII (Galope y Epilogo)
Federico Mompou: 3 Variations
Trois variations
Federico Mompou: Souvenirs de l'exposition
Entree
Tableaux de statistiques
La planetaire
Pavillon de l'elegance
Federico Mompou: Paisajes
La fuente y la campana
El lago
Carros de Galicia
Federico Mompou: Pessebres
Dansa
L'ermita
El pastor
Federico Mompou: Impressiones intimes
Plany I
Plany II
Plany III
Plany IV
Ocell trist
La barca
Bressol
Secret
Gitano
January/February 2001
“All of a sudden it's Mompou Month. Federico Mompou (1893-1937) was the most significant composer of Spanish piano music after Albeniz and Granados, Alicia de Larrocha has been his most noted champion, though others have been taking up his cause. We have in the Naxos disc a cross-section of Mompou's music. Jordi Maso, a skillful Spaniard, plays a collection that includes Mompou's Chopin Variations, Three Variations, Souvenirs de l'Exposition, Paisajes, Pessebres and Impressions Intimas. It is all graceful, attractive music, salon-like, expertly written.
Who was it who said that in the heart of every French opera composer lies a slumbering Massenet? One might also say that in the heart of every Spanish composer of piano music slumber those two twins, Albeniz and Granados. Mompou tries, but was not in that class; he lacked the bigness to envision a latter-day Iberia and Goyescas. But that does not mean that Mompou does not occupy a legitimate space among the lesser Spanish composers. His Chopin Variations, based on the little A-major Prelude, is a beautifully crafted piece. The other pieces make the expected references to Spanish melody and rhythm. Mompou was a fine pianist and he knew all the tricks. So there is a skillful combination of virtuosity and agreeable melody. Maso, hitherto unknown to me, is a strong pianist completely at home in this idiom. A survey of Spanish piano music from him would be a most worthy challenge. Here's hoping.”
Click on any of the works listed above for alternative recordings.