Szymanowski - Piano Works Volume 4

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Szymanowski - Piano Works Volume 4



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Release date:

31st Oct 2005




68 minutes


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Szymanowski - Piano Works Volume 4


Preludes (9), Op. 1

Variations in B flat minor, Op. 3

Mazurkas (2), Op. 62

Valse Romantique

Piano Sonata No. 3, Op. 36

Mazurka, Op. 50 No. 17

Mazurka, Op. 50 No. 18

Mazurka, Op. 50 No. 19

Mazurka, Op. 50 No. 20



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Karol Szymanowski: 9 Preludes, Op. 1

Prelude No. 1: Andante ma non troppo

Prelude No. 2: Andante con moto

Prelude No. 3: Andantino

Prelude No. 4: Andantino con moto

Prelude No. 5: Allegro molto impetuoso

Prelude No. 6: Lento mesto

Prelude No. 7: Moderato

Prelude No. 8: Andante ma non troppo

Prelude No. 9: Lento mesto

Karol Szymanowski: Variations in B flat minor, Op. 3

Tema Andantino tranquillo e semplice

Variation 1: L'istesso tempo

Variation 2: Agitato

Variation 3: Andante quasi tempo di mazurka

Variation 4: Con moto

Variation 5: Lento dolce

Variation 6: Scherzando: Vivace molto

Variation 7: Allegro agitato ed energico

Variation 8: Meno mosso: Mesto

Variation 9: Tempo di Valse: Grazioso

Variation 10: Andantino

Variation 11: Andantino dolce affettuoso

Variation 12: Allegro con fuoco

Karol Szymanowski: 20 Mazurkas, Op. 50

Mazurka No. 17: Moderato

Mazurka No. 18: Vivace: Agitato

Mazurka No. 19: Poco vivace

Mazurka No. 20: Allegramente: Con brio

Karol Szymanowski: 2 Mazurkas, Op. 62

Mazurka No. 1: Allegretto grazioso

Mazurka No. 2: Moderato

Karol Szymanowski: Romantic Waltz

Valse Romantique

Karol Szymanowski: Piano Sonata No. 3, Op. 36

I. Presto

II. Adagio: Mesto

II. Assai vivace: Scherzando

IV. Fuga

BBC Music Magazine

January 2006


“…Martin Roscoe has compiled a programme that serves to underline the composer's extraordinary journey from conventional late-Romanticism via the complex and almost mystic impressionism of the Third Sonata to the quasi-Bartókian absorption of Polish folk idioms in the late Mazurkas. Needless to say he has the full measure of these different styles, providing a beautifully velvet sound in the largely contemplative Op. 1 Preludes and effecting a considerable diversity of character and touch in the Variations in B flat minor.”

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