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Bohuslav Martinu: 2 Songs, H. 213b
Kvet broskvi (Peach Blossom) (text: Chan Yo Sun)
Automne malade (Sickly Autumn) (text: G. Apollinaire)
Bohuslav Martinu: 3 Songs to poems by G. Apollinaire, H. 197
3 Songs to poems by G. Apollinaire, H. 197: Saltimbanques (Acrobats)
Bohuslav Martinu: Vocalise-Etude, H. 188
Vocalise-Etude, H. 188
Bohuslav Martinu: 2 Ballads to Folk Texts, H. 228
Putovali hudci (The Minstrels were Wandering)
Sirota (The Orphan)
Bohuslav Martinu: 4 Songs, H. 282b
Konicky na ouhore (Ponies on the Fallow Field)
Ztraceny pantoflicek (The Lost Slipper)
Pisen nabozna (Religious Song)
Pozvani (Invitation)
Bohuslav Martinu: 2 Dances from Spalicek, H. 214c
2 Dances from the ballet Spalicek, H. 214c: II. Polka
Bohuslav Martinu: Novy spalicek (New Chap-Book), H. 288
Bohata mila (The Rich Sweetheart)
Opusteny mily (The Abandoned Lover)
Touha (Yearning)
Zvedave dievca (The Inquisitive Girl)
Vesele dievca (The Happy Girl)
Smutny mily (The Mournful Lover)
Prosba (Prayer)
Vysoka veza (The High Tower)
2 Dances from Spalicek, H. 214c
2 Dances from the ballet Spalicek, H. 214c: I. Waltz
Bohuslav Martinu: 3 Christmas Songs, H. 184b
Le poulet (The Chicken) (text: T. de Gramont)
Le petit chat (The Little Cat) (text: attrib. L. Xanrof)
Bohuslav Martinu: 4 Children's Songs and Nursery Rhymes, H. 225
Pocitadlo (Counting Song)
Divoky holub (The Wild Dove)
Vlastovicka (The Little Swallow)
Detska hadanka (Children's Riddle)
Bohuslav Martinu: Koleda milostna (Love Carol), H. 259
Koleda milostna (Love Carol), H. 259
Bohuslav Martinu: Prani mamince (A Wish for a Mother), H. 279b
Prani mamince (A Wish for a Mother), H. 279b
Bohuslav Martinu: Hry o Marii (The Plays of Mary), H. 236: Narozeni Pane (Christ's Nativity)
The Miracles of Mary, H. 236: Narozeni Pane (Christ's Nativity) (arr. for voice and piano)
Bohuslav Martinu: Hry o Marii (The Plays of Mary), H. 236: Sestra Paskalina (Sister Pascalina)
The Miracles of Mary, H. 236: Sestra Paskalina (Sister Pascalina) (arr. for voice and piano)
January 2006
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“…this fascinating anthology of his songs, mainly composed in the 1930s, is timely and very welcome, offering new insights into Martinů's continually evolving style. Olga Černá's performance of most of this repertoire is thoroughly appealing… Jitka Čechová's accompaniments are without exception superb and she plays the two piano arrangements of dances from Spaliček with enormous élan...”
Kvet broskvi (Peach Blossom) (text: Chan Yo Sun)
