Schoenberg: 6 A cappella Folksongs for Mixed Chorus, etc.

Naxos: 8557521

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Schoenberg: 6 A cappella Folksongs for Mixed Chorus, etc.

Label:

Naxos

Catalogue No:

8557521
(8.557521)

Discs:

1

Release date:

28th Nov 2005

Barcode:

0747313252121

Length:

78 minutes

Medium:

CD (download also available)

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Schoenberg:

6 A cappella Folksongs for Mixed Chorus

Suite in G for String Orchestra

String Quartet No. 2 in F sharp minor, Op. 10


Jennifer Welch-Babbidge (soprano)

Simon Joly Singers, Fred Sherry Quartet, 20th Century Ensemble, Robert Craft

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Arnold Schoenberg: 3 Folksongs, Op. 49

Mein Herz in steten Treuen (My Heart Forever True)

Der Mai tritt ein mit Freuden (May Arrives With Joy)

Arnold Schoenberg: Herzlieblich Lieb, durch Scheiden (My Dearest Love, Through Our Parting) (arr. A. Schoenberg)

Herzlieblich Lieb, durch Scheiden (My Dearest Love, Through Our Parting) (arr. A. Schoenberg)

3 Folksongs, Op. 49

3 Folksongs, Op. 49: Es gingen zwei Gespielen gut (Two Good Maiden Friends) (excerpt)

Arnold Schoenberg: Es gingen zwei Gespielen gut (Two Good Maiden Friends) (arr. A. Schoenberg)

Es gingen zwei Gespielen gut (Two Good Maiden Friends) (arr. A. Schoenberg)

Arnold Schoenberg: Schein uns, du liebe Sonne (Shine on Us, Dear Sun) (arr. A. Schoenberg)

Schein uns, du liebe Sonne (Shine on Us, Dear Sun) (arr. A. Schoenberg)

Arnold Schoenberg: String Quartet No. 2, Op. 10

I. Allegro

II. Scherzo

III. Litanei

IV. Entruckung

Arnold Schoenberg: Suite in G major

I. Overture

II. Adagio

III. Minuet

IV. Gavotte

V. Gigue

Gramophone Magazine

February 2006

“The Suite in G for string orchestra (1934) is actually subtitled 'in the old style'… The final Gigue is the most immediately appealing movement but Robert Craft directs a sprightly performance that gives the whole piece much-needed light and air. The two sets of German folksong arrangements (from 1928 and 1948) weave sophisticated polyphonic fabrics around quite simple tunes... Jennifer Welch-Babidge sings strongly and truly in the final pair of movements.”

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