Gibbons - Hymns and Songs of the Church

Naxos: 8557681

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Gibbons - Hymns and Songs of the Church

Label:

Naxos

Catalogue No:

8557681
(8.557681)

Discs:

1

Release date:

31st July 2006

Barcode:

0747313268122

Length:

71 minutes

Medium:

CD (download also available)
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Gibbons - Hymns and Songs of the Church

The complete Orlando Gibbons melodies as published in 1623, with new realizations and original settings by L’Estrange and Pitts


Gibbons, O:

Songs of joy

Songs of love

Songs of sacrifice

Songs of lamentation

Songs of triumph

Songs of unity

Songs of faith

Songs of hope


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Orlando Gibbons: Prelude (arr. A. Pitts)

Prelude [Song 1] (arr. A. Pitts)

Orlando Gibbons: A Song of Joy - Christmas Day (arr. A. Pitts)

A Song of Joy / Christmas Day [Song 47 / Song 48] (arr. A. Pitts)

Orlando Gibbons: The Song of Angels (arr. A. Pitts)

The Song of Angels [Song 34] (arr. A. Pitts)

Orlando Gibbons: Interlude

Interlude [Song 13] (excerpts)

Antony Pitts: Thine for ever!

Thine for ever!

Anonymous: Amen

Amen

Orlando Gibbons: The First Canticle (arr. A. Pitts)

The First Canticle [Song 9] (arr. A. Pitts)

Orlando Gibbons: The Fifth Canticle (arr. A. Pitts)

The Fifth Canticle [Song 13] (arr. A. Pitts)

Orlando Gibbons: The Sixth Canticle (arr. A. Pitts)

The Sixth Canticle [Song 14] (arr. A. Pitts)

Orlando Gibbons: The Tenth Canticle (arr. A. Pitts)

The Tenth Canticle [Song 18] (arr. A. Pitts)

John Michael Pitts: Thy way, not mine

Thy way, not mine

Amen

Amen

Antony Pitts: There is a green hill far away

There is a green hill far away

Antony Pitts: Interlude, "There is a green hill far away"

Interlude (There is a green hill far away)

Orlando Gibbons: Take my life (arr. A. Pitts)

Take my life [Song 13] (arr. A. Pitts)

Amen

Amen

Antony Pitts: Lord, who by Thy perfect offering

Lord, who by Thy perfect offering

Orlando Gibbons: Lamentation I (arr. A. L'Estrange)

Lamentation I [Song 24] (arr. A. L'Estrange)

Orlando Gibbons: The Lamentation of David (arr. A. L'Estrange)

The Lamentation of David [Song 5] (arr. A. L'Estrange)

Alexander L'Estrange: As now the sun's declining rays

As now the sun's declining rays

Amen

Amen

Orlando Gibbons: The First Song of Moses (arr. A. Pitts)

The First Song of Moses [Song 1] (arr. A. Pitts)

Antony Pitts: Lord, who by Thy resurrection

Lord, who by Thy resurrection

Orlando Gibbons: The Song of Hannah (arr. A. Pitts)

The Song of Hannah [Song 4] (arr. A. Pitts)

Orlando Gibbons: The Song of Deborah (arr. A. Pitts)

The Song of Deborah [Song 3] (arr. A. Pitts)

Richard James Pitts: O Lord Most High

O Lord Most High

Amen

Amen

Orlando Gibbons: Veni Creator (arr. A. Pitts)

Veni Creator [Song 44] (arr. A. Pitts)

Orlando Gibbons: St. Matthias (arr. A. Pitts)

St Matthias [Song 67] (arr. A. Pitts)

Veni Creator (arr. A. Pitts)

Veni Creator [Song 44] (arr. A. Pitts)

Orlando Gibbons: We are of Thee (arr. A. Pitts)

We are of Thee [Song 1] (arr. A. Pitts)

Anonymous: Hark, my soul!

Hark, my soul!

Amen

Amen

Antony Pitts: Come unto Me

Come unto Me

Orlando Gibbons: The Second Song of Isaiah (arr. A. Pitts)

The Second Song of Isaiah [Song 20] (arr. A. Pitts)

Orlando Gibbons: The Prayer of Habakuk (arr. A. Pitts)

The Prayer of Habakuk [Song 31] (arr. A. Pitts)

Orlando Gibbons: Interlude (arr. A. Pitts)

Interlude [Song 13] (excerpt) (arr. A. Pitts)

Orlando Gibbons: The Song of the Three Children (arr. A. L'Estrange)

The Song of the Three Children [Song 41] (arr. A. L'Estrange)

Amen

Amen

Antony Pitts: Miserere Domine

Miserere Domine

Orlando Gibbons: The Prayer of Hezekiah (arr. A. Pitts)

The Prayer of Hezekiah [Song 22] (arr. A. Pitts)

Amen

Amen

Gramophone Magazine

Awards 2006

“This recording of Orlando Gibbons's Hymnes and Songs of the Church… a valuable documentary for anyone interested in the early development of English hymnody. The collection consists of the melodies and their bass part, leaving the organist (or even the choir) to improvise the middle parts... Andrew Pitts and Alexander L'Estrange have excelled in fulfilling this task, illustrating both the customary techniques of Gibbons and his generation and introducing some modern, even contemporary harmonisations.”

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