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Johann Sebastian Bach: Overture (Suite) No. 3 in D major, BWV 1068: II. Air, "Air on a G String" (arr. L. Stokowski)
Overture (Suite) No. 3 in D major, BWV 1068: II. Air, "Air on a G String" (arr. L. Stokowski)
Johann Sebastian Bach: Was mir behagt, BWV 208, "Hunt Cantata": Aria: Sheep may safely graze (arr. L. Stokowski)
Was mir behagt, BWV 208, "Hunt Cantata": Aria: Sheep may safely graze (arr. L. Stokowski)
Johann Sebastian Bach: Fugue in G minor, BWV 578, "Little Fugue" (arr. L. Stokowski for orchestra)
Fugue in G minor, BWV 578, "Little Fugue" (arr. L. Stokowski)
Johann Sebastian Bach: Komm, susser Tod, BWV 478 (arr. by L. Stokowski)
Komm susser Tod, BWV 478 (arr. L. Stokowski)
Johann Sebastian Bach: Christ lag in Todesbanden, BWV 4: Chorale: Jesus Christus Gottes Sohn (arr. by L. Stokowski)
Christ lag in Todesbanden, BWV 4: Jesus Christus Gottes Sohn (arr. L. Stokowski)
Johann Sebastian Bach: St. John Passion, BWV 245, Part II: Aria: Es ist vollbracht! (arr. L. Stokowski)
St. John Passion, BWV 245: Aria: Es ist vollbracht! (arr. L. Stokowski)
Johann Sebastian Bach: Clavierubung III: Wir glauben all' an einem Gott, BWV 680 (arr. L. Stokowski for orchestra)
Clavierubung III: Wir glauben all' an einem Gott, BWV 680 (arr. L. Stokowski)
Johann Sebastian Bach: Das Orgel-Buchlein: Nun komm, der Heiden Heiland, BWV 599 (arr. L. Stokowski for orchestra)
Orgelbuchlein: Nun komm, der Heiden Heiland, BWV 599 (arr. L. Stokowski)
Leopold Stokowski: 2 Ancient Liturgical Melodies (arr. L. Stokowski)
Veni Creator Spiritus - Veni Emmanuel (arr. L. Stokowski)
George Frideric Handel: Messiah, HWV 56 (arr. L. Stokowski)
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)
Henry Purcell: Dido and Aeneas, Z. 626 (arr. L. Stokowski)
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski)
Johann Sebastian Bach: Passacaglia and Fugue in C minor, BWV 582 (arr. L. Stokowski for orchestra)
Passacaglia and Fugue in C minor, BWV 582 (arr. L. Stokowski)
November 2006
“…even more impressive is the extraordinarily powerful version of the great C minor Passacaglia and Fugue, here given a thrilling, thrusting performance. The orchestra respond superbly to Serebrier's direction which, as a former pupil of Stokowski, he has based on the maestro's recordings and performances. Starting the sequence is the Air from Suite No 3. Serebrier loyally reproduces the ultra-romantic approach taken by Stokowski, with portamento slides between notes and the broadest possible phrasing and a massive rallentando at the end. It is good that we can now accept such a reading as offering a valid view, representing its period. The result is lusciously beautiful, with the Bournemouth strings wonderfully refined.”
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Overture (Suite) No. 3 in D major, BWV 1068: II. Air, "Air on a G String" (arr. L. Stokowski)
