Rutter: Mass of the Children, etc.

Naxos: 8557922

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Rutter: Mass of the Children, etc.

Label:

Naxos

Catalogue No:

8557922
(8.557922)

Discs:

1

Release date:

3rd April 2006

Barcode:

0747313292226

Length:

66 minutes

Medium:

CD (download also available)
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Rutter:

Mass of the Children

Wedding Canticle

Shadows


Angharad Gruffydd-Jones (soprano) & Jeremy Huw Williams (baritone)

Choir of Clare College Cambridge, Timothy Brown

CD

$9.00

(also available to download from $7.00)

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John Rutter: Mass of the Children

Kyrie

Gloria

Sanctus and Benedictus

Agnus Dei

Finale: Dona nobis pacem

John Rutter: Shadows

I. Shadows

II. Gather ye rosebuds

III. Sonnet

IV. The Epicure

V. Sic vita

VI. O Death, rock me asleep

VII. In a goodly night

VIII. Close thine eyes

John Rutter: Wedding Canticle

Wedding Canticle

Gramophone Classical Music Guide

2010

“Choirs love to sing Rutter's music, audiences love to hear it and, if reviewers are lukewarm, the record/ticket-buying public compensates with effective demonstrations of its enthusiasm.
Rutter believes the seed of the Mass, premiered at Carnegie Hall in 2003, was planted when, as a member of the Highgate School choir, he performed on the original 1963 recording of Britten's War Requiem. This inspiration is nowhere more clear than in the introduction to the Gloria, which recalls Britten's use of brass, woodwind and percussion.
Rutter re-imagines Britten's brilliant juxtaposition of adult and children's voices in a joyful context. Like his model, he mixes Latin liturgy with poetry: here, the texts include poems by Archbishop Ken and William Blake. The Kyrie opens vividly with a sunny, breezy setting of Ken's 'Awake my soul', the Domine Deus begins effectively with a bassoon ostinato against mysterious long notes, but his openings often raise expectations which, for me, are seldom fulfilled.
The Sanctus evokes Fauré at best, Lloyd Webber at worst, and early in the Agnus Dei some phrases, startlingly, recall Penderecki's St Luke Passion.
But fear not, this is mostly unmistakably Rutter.
The shades of Britten and Pears hover over Shadows (1979), a cycle of pleasant settings of 16th- and 17th-century poems, paying tribute to the lute-song tradition. The Wedding Canticle is sweet, airy and graceful. Rutter's many fans will not be disappointed.”

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