Bernstein: Violin Sonata, Piano Trio & New Transcriptions

Naxos: 8559643

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Bernstein: Violin Sonata, Piano Trio & New Transcriptions

Label:

Naxos

Catalogue No:

8559643
(8.559643)

Discs:

1

Release date:

1st Nov 2010

Barcode:

0636943964323

Length:

66 minutes

Medium:

CD (download also available)
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Bernstein: Violin Sonata, Piano Trio & New Transcriptions


Bernstein:

Clarinet Sonata

arr. William Terwilliger

Violin Sonata

Piano trio

Charles Bernard (cello)

Two House Songs

arr. Eric Stern

Marin Mazzie (soprano)

Four Moments from Candide

arr. Eric Stern


Opus Two: William Terwilliger (violin) & Andrew Cooperstock (piano)

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This disc collects three of Leonard Bernstein’s very few examples of chamber music.

Leonard Bernstein: Clarinet Sonata (arr. W. Terwilliger for violin and piano)

I. Grazioso - Un poco piu mosso

II. Andantino - Vivace e leggiero

Leonard Bernstein: Violin Sonata

I. Moderato assai

II. Variations on Movement I

Leonard Bernstein: Piano Trio

I. Adagio non troppo - Allegro vivace

II. Tempo di marcia

III. Largo - Allegro vivo e molto ritmico

Leonard Bernstein: Peter Pan: My House (arr. E. Stern)

Peter Pan: My House (arr. E. Stern for soprano, violin and piano)

Leonard Bernstein: 1600 Pennsylvania Avenue (arr. E. Stern for soprano, violin and piano)

1600 Pennsylvania Avenue: Take Care of this House (arr. E. Stern for soprano, violin and piano)

Leonard Bernstein: 4 Moments from Candide (arr. E. Stern for violin and piano)

I. Moderato (I am Easily Assimilated)

II. Andantino cantabile (You Were Dead, You Know)

III. Aria (Glitter and Be Gay)

IV. Andante moderato (Make our Garden Grow)

Gramophone Magazine

April 2011

“William Terwilliger's coloratura violin in 'Glitter and be gay', coming complete with bungee-jumping glissandos and gravity-don't-bother-me note leaps, is infused with the spirit of Bernstein's original vocal lines but sounds effortlessly virtuosic...And so the Bernstein formula for composition was born - borrow what you like, it's the resonance and inventiveness of the mix that counts.”

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