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The opulent and sensual expressiveness in these composers’ works has long been obscured by more turbulent developments in music of the 20th century. One of Deems Taylor’s most successful compositions, Through the Looking Glass celebrates Alice in Wonderland, each of its five sections corresponding to passages or episodes from this enchanting tale. Influenced by the German Romantics and French Impressionists, Charles Tomlinson Griffes’ rich harmonic palette and orchestral colors can be heard in the Poem written for flutist Georges Barrère, the landscapes of the Three Tone Pictures and poetry of The White Peacock, while Kubla Khan and the Bacchanale share exotic oriental inspiration.
Deems Taylor: Through the Looking Glass, Op. 12
No. 1. Dedication
No. 2. The Garden of Live Flowers
No. 3. Jabberwocky
No. 4. Looking-Glass Insects
No. 5. The White Night
Charles Tomlinson Griffes: Poem
Poem
Charles Tomlinson Griffes: The White Peacock
The White Peacock
Charles Tomlinson Griffes: The Pleasure Dome of Kubla Khan, Op. 8 (version for orchestra)
The Pleasure Dome of Kubla Khan, Op. 8 (version for orchestra)
Charles Tomlinson Griffes: 3 Tone-Pictures, Op. 5 (version for orchestra)
No. 1. The Lake at Evening
No. 2. The Vale of Dreams
No. 3. The Night Winds
Charles Tomlinson Griffes: Bacchanale
Bacchanale
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