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Edward Kennedy ‘Duke’ Ellington wrote some of the twentieth century’s greatest Big Band music, but he also wrote in a variety of forms. The boisterous and evocative Harlem pays tribute to Ellington’s roots, Black, Brown, and Beige sets work songs and spirituals, whilst the suite from The River shows his genius in writing for the stage. Three Black Kings, scored as a ballet, was left unfi nished at his death, but shows no lessening of invention. Ellington’s arrangement of Billy Strayhorn’s Take the ‘A’ Train became famous around the world after the outbreak of World War II, and ranks among the most widely recorded standards of all time.
Duke Ellington’s suites were written for a variety of reasons. The master of Big Band jazz was also a master of tone poems such as the boisterous and evocative Harlem and the African-American-celebrating Black, Brown and Beige. Each piece reflects a facet of his genius, from the early maturity of Harlem to his late, uncompleted Three Black Kings.
Duke Ellington: Harlem (arr. M. Peress for orchestra)
Harlem (arr. M. Peress for orchestra)
Duke Ellington: Black, Brown and Beige (arr. M. Peress for orchestra)
Black
Brown
Beige
Duke Ellington: Three Black Kings (completed by M. Ellington)
No. 1. King of the Magi
No. 2. King Solomon
No. 3. Martin Luther King
Duke Ellington: The River Suite (arr. R. Collier for orchestra)
I. The Spring
II. The Meander
III. The Giggling Rapids
IV. The Lake
VI. The River
Billy Strayhorn: Take the A Train (arr. D. Ellington for orchestra)
Take the A Train (arr. D. Ellington for orchestra)
February 2013
“A vital and very generous collection showcasing a concert Ellington who loved his commercial roots yet had more to give and gave it.”
Click on any of the works listed above for alternative recordings.
Harlem (arr. M. Peress for orchestra)
