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Composing at the piano was a life-long preoccupation for Stravinsky, whose music for the instrument spans a forty-year period and reflects his distinct stylistic changes. In his Four Etudes of 1908 the use of complex rhythmical patterns between the hands makes for fiendishly difficult execution. The clarity of each of the 1924 Sonatas’ three movements recalls the musical language of the 18th century. In 1925 Stravinsky embarked on a groundbreaking tour of the United States, where he signed his first recording contract for Brunswick. It was for this company that he wrote the Serenade, designing each movement to fit neatly on one side of a 78rpm gramophone record.
“Victor Sangiorgio, a pianist new to me, plays this music with authority and assertiveness, captured in excellent sound….there is a wonderful revelation waiting in store for you!” Audiophile Audition
Igor Stravinsky: Piano Rag Music
Piano-Rag-Music
Igor Stravinsky: Circus Polka
Circus Polka
Igor Stravinsky: Piano Sonata (1924)
I. quarter note = 112
II. Adagietto
III. quarter note = 112
Igor Stravinsky: Serenade in A major
I. Hymn
II. Romanza
III. Rondoletto
IV. Cadenza
Igor Stravinsky: Tango
Tango
Igor Stravinsky: 4 Etudes, Op. 7
Etude No. 1 in C minor
Etude No. 2 in D major
Etude No. 3 in E minor
Etude No. 4 in F sharp major
Igor Stravinsky: Scherzo
Scherzo
Igor Stravinsky: Piano Sonata in F sharp minor
I. Allegro
II. Scherzo
III. Andante
IV. Allegro - Andante
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