J C & J C F Bach: Keyboard Concertos

Naxos: 8570474

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J C & J C F Bach: Keyboard Concertos

Label:

Naxos

Catalogue No:

8570474
(8.570474)

Discs:

1

Release date:

28th July 2008

Barcode:

0747313047475

Length:

71 minutes

Medium:

CD (download also available)
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J C & J C F Bach: Keyboard Concertos


Bach, J C:

Keyboard Concerto in D major, Op. 13, No. 2, C63

Concerto for harpsichord in B flat major Op. 13/4

Bach, J C F:

Keyboard Concerto in A major, YC91

Formerly attributed to Johann Christian Bach

Keyboard Concerto in E flat major, YC90

Formerly attributed to Johann Christian Bach


Susan Alexander-Max (fortepiano, director), Simon Standage (violin), Nicolette Moonen (violin),

Trevor Jones (viola) & Jennifer Ward Clarke (cello)

The Music Collection

CD

$9.25

(also available to download from $7.00)

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Johann Christian Bach, the youngest son of Johann Sebastian, made his career first in Italy and then, from 1762, in London, where he was a pioneer in the use of the fortepiano.

His elegant, forward-looking concertos, written in the galant style, make a contrast with the more straightforward yet entertaining concertos by his older brother Johann Christoph Friedrich, who spent the greater part of his life at the court of B├╝ckeburg in Lower Saxony.

Johann Christoph Friedrich Bach: Keyboard Concerto in A major, B. C30 (attrib. to J.C. Bach, W. YC91)

I. Allegro

II. Andante ma non troppo

III. Allegro

Johann Christian Bach: Keyboard Concerto in D major, Op. 13, No. 2, W. C63

I. Allegro con spirito

II. Andante

III. Allegro non tanto

Johann Christian Bach: Keyboard Concerto in B flat major, Op. 13, No. 4, W. C65

I. Allegro

II. Andante

III. Andante con moto

Johann Christoph Friedrich Bach: Keyboard Concerto in E flat major, B. C29 (attrib. to J.C. Bach, W. YC90)

I. Allegro di molto

II. Adagio

III. Allegro con spirito

MusicWeb International

February 2013

“The performances give a good idea of the character and quality of these keyboard concertos. Susan Alexander-Max plays with panache and verve in the fast movements, and exposes the expression in the slow movements quite well. The strings give good support - and that is exactly what their role is.”

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