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Edward Elgar: 4 Choral songs, Op. 53
No. 1. There is Sweet Music
No. 2. Deep in my Soul
No. 3. O Wild West Wind!
No. 4. Owls (An Epitaph)
Edward Elgar: Scenes from the Saga of King Olaf, Op. 30: As Torrents in Summer
Scenes from the Saga of King Olaf, Op. 30: As Torrents in Summer
Edward Elgar: The Prince of Sleep
The Prince of Sleep
Edward Elgar: 2 Choral songs, Op. 71
No. 1. The Shower
No. 2. The Fountain
Edward Elgar: My love dwelt in a Northern land, Op. 18, No. 3
My Love Dwelt in a Northern Land, Op. 18, No. 3
Edward Elgar: Death on the Hills, Op. 72
Death on the Hills, Op. 72
Edward Elgar: 2 Choral songs, Op. 73
No. 1. Love's Tempest
No. 2. Serenade
Edward Elgar: Evening Scene
Evening Scene
Edward Elgar: Go, song of mine, Op. 57
Go, Song of Mine, Op. 57
Edward Elgar: Scenes from the Bavarian Highlands, Op. 27
No. 1. The Dance
No. 2. False Love
No. 3. Lullaby
No. 4. Aspiration
No. 5. On the Alm
No. 6. The Marksmen
June 2008
“These commendably disciplined and infectiously spirited performances are sure to give pleasure. A tempting price, too! ”
May 2008
****
“Under the experienced Christopher Robinson, the young singers of the Cambridge University Chamber Choir make the most of this treasure-trove, with secure pitching, clear enunciation, and a bright well-balanced sound.”
“Christopher Robinson's survey of English choral music for Naxos…has been hailed as perhaps the finest ever conducted on disc”
2010
“Plaudits to Christopher Robinson and the Cambridge University Chamber Choir for their keenly prepared and fervent exploration of this still under-appreciated repertoire. And what an absorbing creative portrait of the composer they give us, stretching from 1889 and 'My love dwelt in a northern land' to 1925 and the delectably assured setting of Walter de la Mare's 'The Prince of Sleep'. Other bewitching gems along the journey include 'As torrents in summer'(from the epilogue of the 1896 cantata King Olaf), 'Evening Scene' (1905) and 'Go, song of mine' (1909). In the five items (Opp 71-73) from 1914 Elgar's treatment of the a cappella medium acquires an extra confidence (the writing at once dark, rich and penetrating), though perhaps the most sheerly gripping and diverse inspiration on this well filled anthology is to be found within the four Op 53 songs of 1907: sample the eartickling bitonality of 'There is sweet music' or ghostly gloom of 'Owls' (Elgar at his most daring and inscrutable). One might hope for a fractionally tighter focus to what is an otherwise tonally true sound-picture (the words are not always ideally clear – Naxos does, thankfully, supply full texts). Otherwise, these commendably disciplined and infectiously spirited performances are sure to give pleasure. A tempting price, too!”
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No. 1. There is Sweet Music
