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Fauré’s musical language bridged a gap between 19th-century Romanticism and the music that appeared with the new century, developing and evolving, but retaining its own fundamental characteristics.
His gift for melody, subtle harmonic idiom, judicious and highly personal use of contemporary innovations make for enriching listening, whether in the popular Sicilienne, Pavane and other short pieces or in his two tuneful and impeccably crafted Cello Sonatas.
Since receiving top prizes, including the Diploma of the Tchaikovsky Competition, Moscow, and First Prize of the International Cello Competition Belgrade, Ina-Esther Joost Ben-Sasson has been in high demand as a soloist all over the world.
Gabriel Faure: Sicilienne, Op. 78
Sicilienne, Op. 78
Gabriel Faure: Cello Sonata No. 2 in G minor, Op. 117
I. Allegro
II. Andante
III. Allegro vivo
Gabriel Faure: 3 Songs, Op. 7: No. 1. Apres un reve (arr. P. Casals for cello and piano)
3 Songs, Op. 7: No. 1. Apres un reve (arr. P. Casals for cello and piano)
Gabriel Faure: Elegie, Op. 24
Elegie, Op. 24
Gabriel Faure: Romance, Op. 69
Romance, Op. 69
Gabriel Faure: Berceuse, Op. 16 (arr. for cello and piano)
Berceuse, Op. 16 (arr. for cello and piano)
Gabriel Faure: Papillon, Op. 77
Papillon, Op. 77
Gabriel Faure: Serenade, Op. 98
Serenade, Op. 98
Gabriel Faure: Cello Sonata No. 1 in D minor, Op. 109
I. Allegro
II. Andante
III. Finale: Allegro comodo
Gabriel Faure: Pavane, Op. 50 (arr. H. Busser for cello and piano)
Pavane, Op. 50 (arr. H. Busser for cello and piano)
Click on any of the works listed above for alternative recordings.
Sicilienne, Op. 78