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‘The Temple of Apollo at Delphi’ is the best-known excerpt from Taneyev’s only opera, Oresteia, the mammoth overture to which has all the force of a Romantic symphonic poem.
His Overture on a Russian Theme is based on the same folksong that Rimsky-Korsakov used in his own Fantasy on Russian Themes while the shorter works demonstrate in various ways Taneyev’s scrupulous craftsmanship.
Thomas Sanderling and the Novosibirsk Academic Symphony Orchestra’s acclaimed recording of Taneyev’s Symphonies Nos. 1 and 3 is available on Naxos 8570336.
Sergey Ivanovich Taneyev: Overture to Oresteya, Op. 6
Overture to Oresteya, Op. 6
Sergey Ivanovich Taneyev: Oresteya
Oresteya, Act III: Entr'acte: The Temple of Apollo at Delphi
Sergey Ivanovich Taneyev: Adagio in C major
Adagio in C major
Sergey Ivanovich Taneyev: Overture on a Russian theme
Overture on a Russian theme
Sergey Ivanovich Taneyev: Cantata for the Unveiling of the Moscow Pushkin Memorial, "Ya pamyatnik sebe vozdvig nerukotvorniy" (I Have Built myself a Monument not Made by Hands)
Cantata for the Unveiling of the Moscow Pushkin Memorial, "Ya pamyatnik sebe vozdvig nerukotvorniy" (I Have Built myself a Monument not Made by Hands)
Sergey Ivanovich Taneyev: Canzona
Canzona
Sergey Ivanovich Taneyev: Overture in D minor
Overture in D minor
Click on any of the works listed above for alternative recordings.
Overture to Oresteya, Op. 6