Schubert - Masses in C and G major

Naxos: 8570764

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Schubert - Masses in C and G major

Label:

Naxos

Catalogue No:

8570764

Discs:

1

Release date:

26th Oct 2009

Barcode:

0747313076475

Length:

60 minutes

Medium:

CD (download also available)

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Schubert - Masses in C and G major


Schubert:

Mass No. 4 in C Major, D452

Mass No. 2 in G major, D167

Deutsche Messe, D872


Immortal Bach Ensemble & Leipziger Kammerorchester, Morten Schuldt-Jensen

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A chorister from the age of eight until his voice broke seven years later, Franz Schubert was well placed to compose sacred music, including several splendid settings of the Mass.

His second, completed in 1815, and fourth, written during the following year, follow Mozart’s examples but with strikingly Schubertian touches such as his dramatic use of key relationships and contrasting vocal textures to express the prayerful, meditative and glorious nature of the liturgical text.

For the so-called German Mass, Schubert wrote unassuming yet heartfelt settings of congregational hymns for performance during the service.

Franz Schubert: Mass No. 4 in C major, Op. 48, D. 452

playKyrie

playGloria

playCredo: Credo in unum Deum

playCredo: Et incarnatus est

playCredo: Et resurrexit

playSanctus: Sanctus, sanctus, sanctus

playSanctus: Osanna in excelsis

playBenedictus

playAgnus Dei: Agnus Dei

playAgnus Dei: Dona nobis pacem

Franz Schubert: Mass No. 2 in G major, D. 167

playKyrie

playGloria: Gloria in excelsis Deo

playGloria: Domine Deus

playCredo: Credo in unum Deum

playSanctus: Sanctus, sanctus, sanctus

playSanctus: Osanna in excelsis

playBenedictus: Benedictus qui venit

playBenedictus: Osanna in excelsis

playAgnus Dei

Franz Schubert: Deutsche Messe, D. 872

playZum Eingang: Massig

playZum Gloria: Mit Majestat

playZum Evangelium und Credo: Nicht zu langsam

playZum Offertorium: Sehr langsam

playZum Sanctus: Sehr langsam

playNach der Wandlung: Sehr langsam

playZum Agnus Dei: Massig

playSchlussgesang: Nicht zu langsam

playDas Gebet des Herrn: Massig

Gramophone Magazine

February 2010

“…Schuldt-Jensen's buoyant tempi and the freshness of the choral response do much to vindicate the rococo auto-bustle of parts of the C major Mass. The second soloists… all have light "early music" voices. If the bass sounds strained in the high-lying "Benedictus" of D167, the singers blend well in ensemble, not least in the poignant "Et incarnatus" of the C major Mass.”

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