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Dubbed ‘The Mexican Falla’, Silvestre Revueltas lived hard and died young in poverty. His music was revolutionary, embracing the ‘vulgarity’ of the people and rejecting colonialist cultural models.
His unfinished ballet La Coronela (The Lady Colonel) follows a scenario of skeleton figures involving the overthrow of the ‘decadent bourgeois’ by the working class.
This recording is the first to adhere faithfully to the reconstruction by Eduardo Hernández Moncada and José Limantour, the only surviving version of the work.
Itinerarios (Travel Diary), a solemn, intensely lyrical work, and the symphonic poem Colorines mark the beginning and end of his most fertile creative period.
Silvestre Revueltas: La Coronela (The Lady Colonel)
I. Los Privilegiados (The Upper Crust of 1900): Las Tres Damitas (The Three Young Ladies)
I. Los Privilegiados (The Upper Crust of 1900): La Levita y el Sorbete (The Israelite Charity Lady and the Gentleman)
I. Los Privilegiados (The Upper Crust of 1900): El Espejo (The Mirror)
II. Los Desheredados (The Disinherited): Los Desheredados (The Disinherited)
II. Los Desheredados (The Disinherited): El Peon (The Laborer)
II. Los Desheredados (The Disinherited): Los Rurales (The Rural Resistance)
III. La Pesadilla de Don Ferruco (Don Ferruco's Nightmare): El Ambigu (The Party)
III. La Pesadilla de Don Ferruco (Don Ferruco's Nightmare): El Peladito y la Gatita (The Scoundrel and the Simple Girl)
III. La Pesadilla de Don Ferruco (Don Ferruco's Nightmare): La Burguesita (The Middle Class Lady)
III. La Pesadilla de Don Ferruco (Don Ferruco's Nightmare): La Coronela (The Lady Colonel)
IV. El Juicio Final (The Last Judgement): La Lucha (The Battle)
IV. El Juicio Final (The Last Judgement): Los Caidos (The Fallen)
IV. El Juicio Final (The Last Judgement): Los Liberados (The Liberated)
Silvestre Revueltas: Caminos (Itinerarios)
Caminos (Itinerarios)
Silvestre Revueltas: Colorines
Colorines
Click on any of the works listed above for alternative recordings.