Delius - Complete Violin Sonatas

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Delius - Complete Violin Sonatas



Catalogue No:




Release date:

1st June 2009




76 minutes


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Delius - Complete Violin Sonatas


Sonata in B major for Violin & Piano, op. posth

Violin Sonata No. 1 in E major

Violin Sonata No. 2

Violin Sonata No. 3

Susanne Stanzeleit (violin) & Gusztáv Fenyo (piano)



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Beneath the shimmering surface of Delius’s little-known violin sonatas are the latent exuberance and nostalgic rapture which have made his orchestral music so popular.

Across the decades separating the B major Violin Sonata of 1892 from the Third Violin Sonata of 1930, Delius developed a unique musical language which leavened the post-Romantic heritage of Wagner with French Impressionism and European and Afro-American folk idioms; an intoxicating mix that moved Sir Thomas Beecham to call him ‘the last great apostle in our time of beauty and romance in music’.

Suzanne Stanzeleit has been praised by The Strad for her “very considerable style… magnificent flourishes and proud rodomontade.”

Frederick Delius: Violin Sonata in B major, Op. posth.

I. Allegro con brio

II. Andante molto tranquillo

III. Allegro con moto

Frederick Delius: Violin Sonata No. 1

I. With easy movement but not quick - II. Slow

III. With vigour and animation

Frederick Delius: Violin Sonata No. 2

Violin Sonata No. 2

Frederick Delius: Violin Sonata No. 3

I. Slow

II. Andante scherzando - Meno mosso - Tempo I

III. Lento - COn moto

The Telegraph

25th June 2009


“These excellent, passionate performances enhance Delius’s reputation as a composer of chamber music no end. In the three numbered violin sonatas, as in the early, posthumously published B major, the romantic ardour and aspiring gestures achieve an ideal equilibrium with Delius’s more wistful moods.”

BBC Music Magazine

August 2009


“In Susanne Stanzeleit and Gusztáv Fenyö they have certainly found worthy interpreters: the subtlety of their rubato and the sheer responsive plasticity of Stanzeleit's phrasing of the long melodic lines, which can so often seem to meander but here are a moment-to-moment index of feeling, are exemplary.”

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