Bizet: Clovis et Clotilde & Te Deum

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Bizet: Clovis et Clotilde & Te Deum


Gramophone Magazine

Editor's Choice - February 2011



Catalogue No:




Release date:

1st Nov 2010




52 minutes


CD (download also available)
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Bizet: Clovis et Clotilde & Te Deum


Clovis et Clotilde

Katarina Jovanovic (soprano), Philippe Do (tenor) & Mark Schnaible (bass)

Te Deum

Katarina Jovanovic (soprano) & Philippe Do (tenor)

Choeur Régional Nord – Pas-de-Calais



(also available to download from $7.00)

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This fascinating disc presents the young Georges Bizet’s first composition after having won the prestigious Prix de Rome, the grandiose Te Deum, which remained unpublished until 1971.

It is coupled with his Prix de Rome cantata Clovis et Clotilde, which recounts the tale of the Frankish King Clovis’s conversion to Christianity by his wife Clotilde.

Both scores are abundantly theatrical, as one would expect from the future composer of Carmen (8660005-07), and are performed by three outstanding young singers and two internationally renowned French ensembles directed by the distinguished conductor Jean-Claude Casadesus.

Georges Bizet: Clovis et Clotilde


Scene 1: Recit: Noble Clovis (Clotilde)

Scene 1: Romance: Il est si beau (Clotilde)

Scene 2: Duo: Que vois-je! (Clotilde, Remy)

Scene 2: Recit: Reine, je vais pour vous (Remy)

Scene 3: Priere! Priere! (Clotilde)

Scene 4: Duo: Ma Clotilde cherie! (Clovis, Clotilde)

Scene 4: Duo (suite): Paix, triomphe, esperance! (Clotilde, Clovis)

Scene 4: Duo (suite): Mais comment laissas-tu (Clotilde, Clovis)

Scene 4: Duo (suite): Ta douce aurore (Clotilde)

Scene 5: Recit: Mon pere, en ce beau jour (Clotilde, Remy)

Scene 5: Strophes: Salut a toi (Remy)

Ensemble final: C'en est fait (Clovis, Clotilde, Remy)

Georges Bizet: Te Deum

Te Deum laudamus

Tu rex gloriae, Christie

Te ergo quaesumus

Fiat misericordia tua

Gramophone Magazine

February 2011

“Plainly, even in his teens, Bizet had a fully developed talent...There are many moments to cherish, notably Clotilde's prayer, starting on an exquisitely delicate pianissimo. Otherwise Jovanovic is fearless in tackling exposed top notes cleanly and precisely...The Te Deum makes an ideal every way a delightful discovery.”

BBC Music Magazine

February 2011


“Bizet's cantata, which won him the Prix de Rome in 1857, contains some lovely moments and a few characteristic things...It shows Bizet the orchestrator far beyond the apprentice stage...Jovanovic float[s] beautiful high notes”

International Record Review

March 2011

“[Casadesus] is clearly very fond of [Clovis et Clotilde], conducting it with great panache and making the best possible case for it...In its gawky way I find [the Te Deum] quite fun, especially in a performance as engaging as this one: Casadesus keeps the orchestra light on its feet, the chorus is enthusiastic and Jovanovic and Do contribute solid solos.”

MusicWeb International

January 2011

“Two colourful youthful works, full of ardour, and worth consideration.”

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