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Liszt first visited Russia in April 1842 when he travelled to St. Petersburg and was so rapturously received that he returned the following year. His last tour came in 1847, the year of his retirement as a concert artist. During these visits he wrote transcriptions of Russian music. There is a stunning transcription derived from a march from Glinka’s Ruslan and Lyudmila, as well as from the Polonaise from Tchaikovsky’s Eugene Onegin. But he ranged widely, from a César Cui Tarantelle, and Anton Rubinstein’s lovely songs to a tender and beautiful folk song called Abschied.
Franz Liszt: Tchaikovsky - Eugen Onegin: Polonaise, S429/R262
Tchaikovsky - Eugen Onegin: Polonaise, S429/R262
Franz Liszt: 2 Melodies russes, S250/R102
No. 1. Le rossignol, air russe d'Alabieff
No. 2. Chanson bohemienne
Franz Liszt: Abschied, russisches Volkslied, S251/R104
Abschied, russisches Volkslied, S251/R104
Franz Liszt: Mazurka pour piano composee par un amateur de St Petersbourg, S384/R115
Mazurka pour piano composee par un amateur de St Petersbourg, S384/R115
Franz Liszt: Glinka - Tscherkessenmarsch aus Oper Russlan und Ludmilla, S406/R164 (2nd version)
Glinka - Tscherkessenmarsch aus Oper Russlan und Ludmilla, S406/R164 (2nd version)
Franz Liszt: Prelude a la polka de Borodine, S207a/R297
Prelude a la polka de Borodine, S207a/R297
Franz Liszt: Bulhakov - Russischer Galopp, S478/R143
Bulhakov - Russischer Galopp, S478/R143
Franz Liszt: Cui - Tarantelle, S482/R147
Cui - Tarantelle, S482/R147
Franz Liszt: Dargomizhsky - Tarentelle, S483/R148
Dargomizhsky - Tarentelle, S483/R148
Franz Liszt: Rubinstein - O! Wenn es doch immer so bliebe, S554/R239
Rubinstein - O! Wenn es doch immer so bliebe, S554/R239
Franz Liszt: Rubinstein - Der Asra, S554/2/R239/2
Rubinstein - Der Asra, S554/2/R239/2
Franz Liszt: Wielhorski - Autrefois (Romanze), S577/R291 (2nd version)