Janacek: Glagolitic Mass & Sinfonietta

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Janacek: Glagolitic Mass & Sinfonietta



Catalogue No:




Release date:

31st Oct 2011




62 minutes


CD (download also available)
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Janacek: Glagolitic Mass & Sinfonietta


Glagolitic Mass

final version

Christiane Libor (soprano), Ewa Marciniec (alto), Timothy Bentch (tenor), Wojciech Gierlach (bass) & Jarosław Malanowicz (organ)

with Warsaw Philharmonic Orchestra




(also available to download from $7.00)

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Leoš Janáček’s dramatic Glagolitic Mass is set to a ninth century Old Church Slavonic text. With its highly individual synthesis of thunderous brass outbursts, rhythmic energy, radiant melodies and interludes of rapt contemplation, the work has established itself as a unique contribution to the choral repertoire. An avowed statement of his belief and patriotic pride in Czechoslovakian national independence, Janáček’s Sinfonietta uses spectacular large-scale orchestral forces. Both of these works belong to the composer’s last and most inspired decade, and represent his mature musical language at its most communicative.

Leos Janacek: Msa glagolskaja (Glagolitic Mass), JW III/9 (final version)

Uvod (Introduction)

Gospodi pomiluj (Kyrie) (Soprano, Chorus)

Slava (Gloria) (Soprano, Tenor, Chorus)

Veruju (Credo) (Tenor, Bass, Chorus)

Svet (Sanctus) (Soprano, Alto, Tenor, Bass, Chorus)

Agnece Bozij (Agnus Dei) (Soloists, Chorus)

— [organ solo]


Leos Janacek: Sinfonietta, JW VI/18

I. Allegretto

II. Andante

III. Moderato

IV. Allegretto

V. Andante con moto

BBC Music Magazine

February 2012


“There are many attractive aspects to this performance, not least the heroic tenor of Timothy Bench and the full-throated singing of the sopranos and altos. Too often, however, the delivery of Janacek's motor rhythms seems mechanical...[In the Sinfonietta] Wit and the Warsaw Philharmonic are more consistently convincing.”

Classic FM Magazine

February 2012


“Wit's Warsaw Philharmonic forces plug directly into the emotional power of Janacek's music, reacting like demons to the distinct undulations of its speech-inspired melodic lines and spanning a rich tonal spectrum all too often missing in performances of the Glagolitic Mass. The rhythmic crispness and sheer intensity of the conductor's interpretation return massive dividends in 'Veruju' ('Credo').”

Financial Times

12th November 2011


“Both pieces receive crisp, radiant and transparent performances.”

Gramophone Magazine

January 2012

“The polished choral singing is a joy, with excellent pitching throughout, especially in the cruelly exposed unaccompanied entries. The orchestra's contribution is equally distinguished. How refreshing it is to hear such 'unhomogenised' clarinet- and trumpet-playing. The solo quartet also acquits itself favourably, in particular Christiane Libor, who is on spectacular form.”

MusicWeb International

August 2012

“Overall, Wit and his Warsaw forces have the measure of this extraordinary mass...What makes this new disc indispensable is the Sinfonietta. For both performance and sound it belongs in the top echelon of recordings of this dazzling work...In my opinion, then, Wit’s is the best option now for this particular combination of works on one disc. The Sinfonietta alone makes it indispensable.”

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