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An important marker in Debussy’s compositional development, the Fantaisie reflects something of the influence of César Franck’s Symphonic Variations yet embodies his own new aesthetic. Unpublished in Debussy’s lifetime, it is heard here in its 1968 revision. The delicately evocative Rapsodie for saxophone is an exotic work with an ‘oriental’ atmosphere and Spanish or Moorish associations. Although composed as a Conservatoire test piece, the Première Rapsodie for Clarinet has long since entered the repertoire as an important addition for the instrument. The glittering Danses for harp and strings recall Satie’s Gymnopédies, with the Danse profane in particular calling for a degree of virtuosity. Volume 6 of this much admired series (8572583) was praised for its ‘subtle and sensitive readings’. (Gramophone)
Claude Debussy: Fantaisie
I. Andante ma non troppo
II. Lento e molto espressivo - Allegro molto
Claude Debussy: Premiere rapsodie (version for clarinet and orchestra)
Premiere rapsodie (version for clarinet and orchestra)
Claude Debussy: Rapsodie (orch. R. Roger-Ducasse)
Rapsodie (orch. R. Roger-Ducasse)
Claude Debussy: 2 Danses, "Danses sacree et profane"
No. 1. Danse sacree
No. 2. Danse profante
20th November 2011
“We've reached Volume 7 in Naxos's superb Lyonnaise exploration of Debussy's orchestral works with the thrilling Fantaisie for Piano and Orchestra, superbly played here by Jean-Yves Thibaudet. It's a grand showpiece, reminiscent of César Franck's Symphonic Variations but painted in Debussy's inimitable palette.”
“there is virtue in the disc's programme, with a lovely, supple performance of the clarinet Rapsodie from Paul Meyer, fully equal to the technical and expressive demands...Doisy plays with a nice mix of spice and smoothness in the saxophone Rapsodie, and the wonderful Emmanuel Ceysson brings both enchantment and spirit to the two harp Danses.”
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