James Whitbourn: Living Voices

Naxos: 8572737

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James Whitbourn: Living Voices

Label:

Naxos

Catalogue No:

8572737
(8.572737)

Discs:

1

Release date:

30th Aug 2011

Barcode:

0747313273775

Length:

64 minutes

Medium:

CD (download also available)
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James Whitbourn: Living Voices


Whitbourn:

Son of God Mass

Requiem canticorum

World Première Recording

Winter’s Wait

World Première Recording

Give us the wings of faith

World Première Recording

A brief story of Peter Abelard

World Première Recording

A Prayer from South Africa

World Première Recording

Living Voices

World Première Recording

All shall be Amen and Alleluia

World Première Recording


Jeremy Powell (soprano saxophone) & Ken Cowan (organ)

Westminster Williamson Voices, James Jordan

CD

$8.75

(also available to download from $7.00)

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James Whitbourn is known for his ‘boundless breadth of choral imagination’ (The Observer) resulting in compositions of brilliance and power. His extraordinary work for choir, saxophone and organ, Son of God Mass, receives a new recording from the young voices of one of Westminster Choir College of Rider University’s fi nest chamber choirs under the leading American choral conductor James Jordan. It is heard alongside a collection of première recordings of other works associated with life and death, including the Requiem canticorum and Living Voices, a work to commemorate the dead of 9/11 with a poem by Andrew Motion.

James Whitbourn: Son of God Mass

Introit

Kyrie

Kyrie meditation

Gloria

Lava me

Sanctus and Benedictus

Pax Domini

Agnus Dei

Amen

James Whitbourn: Winter's Wait

Winter's Wait

James Whitbourn: Give us the wings of faith

Give us the wings of faith

James Whitbourn: A brief story of Peter Abelard (verson for soprano saxophone and organ)

A brief story of Peter Abelard (verson for soprano saxophone and organ)

James Whitbourn: A Prayer from South Africa

A Prayer from South Africa

James Whitbourn: Living Voices

Living Voices

James Whitbourn: Requiem canticorum

Introit

Pie Jesu

Alleluia

De profundis

Lux aeterna

James Whitbourn: All shall be Amen and Alleluia

All shall be Amen and Alleluia

BBC Music Magazine

November 2011

****

“Tonal, tuneful, technically accessible, harmonically palliative: James Whitbourn's music ticks many of the boxes beloved by choral societies...James Jordan directs the Princeton-based choir with grip and sensitivity; he's notably successful in keeping the singers firmly focused throughout all the quiet, restrained music, where concentration and vocal support can so easily weaken.”

Gramophone Magazine

November 2011

“Whitbourn [b1963] clearly knows how to write effectively for voices, mostly in a chordal texture, always resolutely diatonic and with a heavy slant towards the 'atmospheric'...The choral highlight is undoubtedly the strikingly beautiful Winter's Wait which sets a text by the late Robert Tear. The tone of Westminster Williamson Voices is well honed, muscular and rich, with only occasional lapses in intonation.”

International Record Review

February 2012

“If the opening saxophone solo of Son of God Mass reminds one irresistably of Jan Garbarek and Officium, elsewhere James Whitbourn's music is a mixture of a more directly English transcendental cast that one might associate with Howells, say...performances under the assured direction of James Jordan are outstanding; and saxophonist Jeremy Powell has nothing at all to fear from Garbarek.”

The Observer

4th September 2011

“Here's another welcome collection from a truly original communicator in modern British choral music. Whitbourn's interest in the compelling combination of voices and the soprano saxophone dominates here...The Princeton choir is directed by James Jordan with precision and poise”

The Times

10th September 2011

**

“Those enchanted by the mystic minimalism of John Tavener or Henryk Górecki will rejoice to discover a younger exponent of this soporific style. James Whitbourn is a 46-year-old Brit, who writes choral music so sweet and slow that my brain has only just regained consciousness. Yet it’s cleverly crafted and beautifully performed by the Westminster Williamson Voices, with lots of vaguely Arabic saxophone melismas by Jeremy Powell.”

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