All Shall Be Well

Naxos: 8572760

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All Shall Be Well



Catalogue No:




Release date:

30th April 2012




60 minutes


CD (download also available)
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All Shall Be Well


Totus Tuus, Op. 60


Nunc dimittis, H127

Rebecca Quiney (soprano) & Oliver Condy (tenor)


O magnum mysterium


Stabat Mater, Op. 111

Richard May (cello)

Panufnik, R:

All Shall Be Well

World Première Recording


Vespers, Op. 37: Bogoroditse Devo (Rejoice, O Virgin)


Svyati 'O Holy One'

Richard May (cello)

Vaughan Williams:

Valiant for Truth


Hymne à la Vierge, Op. 24

Exultate Singers, David Ogden



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This wide-ranging programme offers connections and contrasts in music of devotion and consolation. The settings by life-long friends Holst and Vaughan Williams, whilst very different, are highly affecting. The music of Rachmaninov, whose hymn derives from his 1915 All-Night Vigil, and John Tavener is immersed in the ritual of the Russian Orthodox Church. Marian Prayers come from Pierre Villette and Knut Nystedt. The music that gives its name to the title of the disc is the beautiful ‘conversation’ of Roxanna Panufnik.

Roxanna Panufnik: All Shall be Well

All Shall be Well

Gustav Holst: Nunc dimittis

Nunc dimittis

Ralph Vaughan Williams: Valiant for Truth

Valiant for Truth

Sergei Rachmaninov: All-night Vigil, Op. 37, "Vespers"

All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria)

John Tavener: Svyati, "O Holy One"

Svyati, "O Holy One"

Henryk Gorecki: Totus Tuus, Op. 60

Totus Tuus, Op. 60

Jaakko Mantyjarvi: O magnum mysterium

O magnum mysterium

Pierre Villette: Hymne a la Vierge, Op. 24

Hymne a la Vierge, Op. 24

Knut Nystedt: Stabat Mater, Op. 111

Stabat Mater, Op. 111

Financial Times

30th June 2012

“This collection of mainly unaccompanied litanies and prayers will appeal far beyond the classical or Christian fold”

BBC Music Magazine

August 2012


“Blend, unanimity, dynamics: this CD is gratifyingly strong on the eternal verities of good choral singing...this imaginatively programme disc marks the Exultate Singers out as a choir to be reckoned with.”

International Record Review

September 2012

“The choir doesn't really have the force needed to raise the roof in the middle of the Rachmaninov, but this is a refreshingly straightforward reading that benefits from conductor David Ogden's refusal to take the piece too slowly...The recording is full and rich, beautifully balanced and clear, with an attractive church acoustic.”

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