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Margaret Rizza sang professionally for twenty-five years, before teaching at London’s Guildhall School of Music and Drama. She has directed music groups, making many recordings. She began composing in 1997 and has since earned huge admiration for her ‘Classical Contemporary’ sound world, works of spiritual contemplation and great beauty. Hers is music of great spiritual depth and, whether a cappella or for vocal and instrumental forces, it generates a sense of lyricism and healing resolution. None of the works on this disc have been recorded before.
The Gaudete Ensemble was formed and directed by Margaret Rizza as a small parish choir for St Thomasʼ Church in Sevenoaks. As it developed it went on to do many concerts and recordings. For this present recording, the ensemble is made up of fully professional singers and instrumentalists directed by Eamonn Dougan, who pursues a busy schedule working as both singer and conductor. He is the first Associate Conductor of the world renowned vocal ensemble The Sixteen and has directed the ensemble to considerable acclaim at concert halls and festivals across England and Europe.
Margaret Rizza: Ave Maria
Ave Maria
Margaret Rizza: O Magnum Mysterium
O Magnum Mysterium
Margaret Rizza: In the Silence
In the Silence
Margaret Rizza: Mary Slept
Mary Slept
Margaret Rizza: Fire of Love
Fire of Love
Margaret Rizza: O Sapientia
O Sapientia
Margaret Rizza: Christ be Near
Christ be Near
Margaret Rizza: Mysterium Amoris
Mysterium Amoris
Margaret Rizza: Veni Jesu
Veni Jesu
Margaret Rizza: Sanctus Dominus
Sanctus Dominus
Margaret Rizza: O Speculum Columbe
O Speculum Columbe
Margaret Rizza: Rising Prayer
Rising Prayer
Margaret Rizza: Mysterious Night
Mysterious Night
Margaret Rizza: Oculi Mei
Oculi Mei
Margaret Rizza: Ave Generosa
Ave Generosa
Christmas 2012
***
“the cosily devotional nature of this CD...may potentially divide listeners. If you're already inside the tent, Rizza's music will warm it pleasantly for you. If not, it can quickly come to seem a touch homogenised and repetitive in its sentiments and gestures.”
December 2012
“Rizza's music is tonal and diatonic. There are frequent unison passages, and one has the impression that the aim is to enhance the mood of the text without getting in the way of its meaning. There are echoes, from time to time, of other composers, Arvo Pärt, for example, or even Eric Whitacre, though the majority of this music was written before that composer's rise to fame.”
Click on any of the works listed above for alternative recordings.