Leoncavallo: I Pagliacci

Naxos: 8660021

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Leoncavallo: I Pagliacci

Label:

Naxos

Catalogue No:

8660021
(8.660021)

Discs:

1

Barcode:

4891030600218

Length:

70 minutes

Medium:

CD (download also available)

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Leoncavallo: I Pagliacci


Miroslav Dvorsky (tenor), Miriam Gauci (soprano), Nicola Martinucci (tenor), Boje Skovhus (baritone), Eduard Tumagian (baritone)

Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Alexander Rahbari

CD

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Ruggero Leoncavallo: Pagliacci

Prologue

Si puo? ... Si puo?... Signore! Signori! (Tonio)

Act I Scene 1: Son qua! Son qua! Ritornano! (Villagers)

Act I Scene 1: Un grande spettacolo a venti tre ore (Canio)

Act I Scene 1: Via di li! (Canio)

Act I Scene 1: Scene and Chorus of the Bells: I zampognari! (Villagers)

Act I Scene 2: Qual fiamma avea nel guardo! (Nedda)

Act I Scene 2: Ballatella: Hui! Hui! ... Stridono lassu (Nedda)

Act I Scene 2: Scena and Duet: Sei la? (Nedda and Tonio)

Act I Scene 3: Duet: Silio! a quest' ora (Nedda and Silvio)

Act I Scene 3: E allor perch? (Silvio and Nedda)

Act I Scene 3: Scena and Finale: Cammina adagio! (Tonio and Canio)

Act I Scene 3: Aiutalo, Signor! (Nedda, Tonio and Canio)

Act I Scene 3: Arioso: Vesti la giubba (Canio)

Act I Scene 3: Intermezzo

Act II Scene 1: Ohe! Ohe! (Villagers)

Act II Scene 1: The Play (Tempo di Minuetto) - Pagliaccio, mio marito (Nedda, Columbina)

Act II Scene 2: Serenata: O Columbina (Beppe, Arlecchino)

Act II Scene 2: Scena comica: E dessa! (Tonio, Taddeo)

Act II Scene 2: Duet Arlecchino! (Nedda, Columbina and Beppe, Arlecchino)

Act II Scene 2: Scena and Duet (Finale): Versa il filtro (Beppe, Arlecchino, Nedda, Columbina and Canio, Pagliaccio)

Act II Scene 2: No! Pagglioccio non son (Canio)

Act II Scene 2: Ah! No, per mia madre! (Nedda, Silvio, Beppe, Tonio, Canio and Villagers)

CD Classics

“a strongly cast issue and Alexander Rahbari conducts a well-paced energetic performance. Nicola Marinucci has been neglected by the major record companies, but of the 'big three' tenors perhaps only Domingo at his very best would bring as much dramatic concentration to the role of Canio”

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