Plácido Domingo (Cyrano), Sondra Radvanovsky (Roxane), Arturo Chacón Cruz (Christian), Rod Gilfry (De Guiche), Corrado Carmelo Caruso (Ragueneau), Roberto Accurso (De Valvert), Javier Franco (Carbon), Itxaro Mentxaka (La Duègne / Sister Marthe) & Nahuel di Pierro (Le Bret)
Orquestra de la Comunitat Valenciana & Cor de la Generalitat Valenciana, Patrick Fournillier
Usually despatched in 2 - 3 working days.
Stage Director & Stage Designer: Michal Znaniecki
While best known today for having composed the ending to Puccini’s unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri Cain based on Edmond Rostand’s drama of the same name. It is a moving tale of romantic misunderstanding, swashbuckling bravado and heartbreaking loyalty, in which the eloquent Cyrano feels unable to express his love for Roxane because of his famously protuberant nose – except on behalf of his handsome but inarticulate friend, Christian.
HIGH DEFINITION 1080i
PCM Stereo ● DTS-HD 5.1
Total Running Time: 141:04
“Domingo is unquestionably moving and makes a good case for having added the title role to his huge gallery of characters; his dark tone can still be thrilling and he is a more committed actor than many of his colleagues. …Sondra Radvanovsky matches him as a spirited Roxane, using her gleaming soprano to musical effect. Michal Znaniecki's traditionally costumed production... works effectively enough in tandem with Patrick Fournillier's light-textured conducting.”
“Domingo's…voice is also caught in marvellously fine condition. This may well be the heroic last act in his career as the world's greatest tenor, and in the final scene especially his performance is intensely moving.”
30th June 2011
“the sets are simple but effective...Sondra Radvanovsky makes for an impressive Roxane...Domingo’s voice remains remarkably powerful and eloquent, even if the high notes are noticeably effortful once or twice. His death scene is genuinely touching...The performance is well filmed, visually, with some split screens from different camera angles and the occasional slow-motion reminiscence of earlier action”
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