The title is something of a charming misnomer: only a few minutes of Igor Stravinsky’s all-encompassing output were originally scored for violin and piano. However, once he had made the acquaintance of the violinist Samuel Dushkin, his interest in this most Classical of chamber genres was piqued, and the two men worked closely to transform some of his most popular, melodic and balletic music into suites and miniatures that are no mere transcriptions but stand, witty and proud, in their own right.
Dushkin was suggested to Stravinsky as a possible performer for the premiere of his Violin Concerto. Stravinsky acceded, and found Dushkin to have ‘a musical culture, a delicate understanding, and – in the exercise of his profession – an abnegation that is very rare’ – qualities also to be appreciated in the deft approach of the Dutch violinist Isabelle van Keulen, complemented by the famously quirky originality of her partner here, the Finnish pianist Olli Mustonen.
Suite italienne : I. Introduction
Suite italienne : II. Serenata
Suite italienne : III. Tarantella
Suite italienne : IV. Gavotta con due variazioni
Suite italienne : V. Scherzino
Suite italienne : VI. Minuetto e finale
Le baiser de la fee : Ballad
Petrouchka : Dance russe
Mavra : Chanson russe
Pastorale
Divertimento : I. Sinfonia
Divertimento : II. Danses russes
Divertimento : III. Scherzo
Divertimento : IV. Pas de deux (adagio, variation, coda)
Duo Concertant : I. Cantilene
Duo Concertant : II. Eglogue I
Duo Concertant : III. Eglogue II
Duo Concertant : IV. Gigue
Duo Concertant : V. Dithyrambe
Tango
Elegie
L' oiseau de feu : Prelude et Ronde des princesses
L' oiseau de feu : Berceuse
L' oiseau de feu : Scherzo
La Marseillaise (Rouget de Lisle)
Le rossignol : Airs du rossignol
Le rossignol : Marche chinoise
July 2011
****
“The fruits of Stravinsky's rewarding partnership with violinist Samuel Dushkin are celebrated here. Van Keulen and Mustonen negotiate the music's awkward technical hurdles with cool precision.”
“Van Keulen and Mustonen are right on top of the Duo concertant’s frequently extravagant technical demands, and as in all the music here recorded they convey an infectious sense of enjoyment.”
Click on any of the works listed above for alternative recordings.