Wagner: Die Walküre

Oehms: OC926

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Wagner: Die Walküre

Label:

Oehms

Catalogue No:

OC926

Discs:

4

Release date:

7th Dec 2009

Barcode:

4260034869264

Length:

3 hours 48 minutes

Medium:

CD (download also available)
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Wagner: Die Walküre


Stuart Skelton (Siegmund), Yvonne Naef (Sieglinde), Deborah Polaski (Brünnhilde), Falk Struckmann (Wotan), Mikhail Petrenko (Hunding), Jeanne Piland (Fricka), Hellen Kwon (Gerhilde), Miriam Gordon-Stewart (Helmwige), Gabriele Rossmanith (Ortlinde), Katja Pieweck (Siegrune), Renate Spingler (Rossweiße), Maria-Cristina Damian (Waltraute), Ann-Beth Solvang (Grimgerde), Deborah Humble (Schwertleite)

Hamburg Philharmonic, Simone Young

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This is a live performance. Simone Young guided her orchestra and the chorus through famous score in great, irresistible waves of sound while still paying attention to the finest, meticulously rehearsed structural details.

Richard Wagner: Die Walkure

Act I Scene 1: Prelude

Act I Scene 1: Wes Herd dies auch sei, hier muss ich rasten (Siegmund, Sieglinde)

Act I Scene 2: Mud am Herd fand ich den Mann (Sieglinde, Hunding, Siegmund)

Act I Scene 2: Friedmund darf ich nicht heissen (Siegmund, Hunding, Sieglinde)

Act I Scene 2: Ich weiss ein wildes Geschlecht (Hunding)

Act I Scene 3: Ein Schwert verhiess mir der Vater (Siegmund)

Act I Scene 3: Schlafst du, Gast? (Sieglinde)

Act I Scene 3: Der Manner Sippe sass hier im Saal (Sieglinde, Siegmund)

Act I Scene 3: Wintersturme wichen dem Wonnemond (Siegmund)

Act I Scene 3: Du bist der Lenz, nach dem ich verlangte (Sieglinde, Siegmund)

Act I Scene 3: War Walse dein Vater (Sieglinde)

Act I Scene 3: Siegmund heiss ich und Siegmund bin ich (Siegmund, Sieglinde)

Act II Scene 1: Prelude

Act II Scene 1: Nun zaume dein Ross, reisige Maid! (Wotan, Brunnhilde)

Act II Scene 1: Dir rat ich, Vater, ruste dich selbst (Brunnhilde)

Act II Scene 1: Der alte Sturm, die alte Muh! (Wotan, Fricka)

Act II Scene 1: So ist es denn aus mit den ewigen Gottern (Fricka, Wotan)

Act II Scene 1: In wildem Leiden erwuchs er sich selbst (Wotan, Fricka)

Act II Scene 1: Was verlangst du? (Wotan, Fricka, Brunnhilde)

Act II Scene 2: Schlimm, furcht ich, schloss der Streit (Brunnhilde, Wotan)

Act II Scene 2: O heilige Schmach! (Wotan, Brunnhilde)

Act II Scene 2: Als junger Liebe Lust mir verblich (Wotan, Brunnhilde)

Act II Scene 2: O sag, Kunde, was soll nun dein Kind? (Brunnhilde, Wotan)

Act II Scene 3: Raste nun hier, gonne dir Ruh! (Siegmund, Sieglinde)

Act II Scene 4: Siegmund! Sieh auf mich! (Brunnhilde, Siegmund)

Act II Scene 5: Zauberfest bezahmt ein Schlaf (Siegmund)

Act II Scene 5: Kehrte der Vater nur heim! (Sieglinde)

Act II Scene 5: Wehwalt! Wehwalt! (Hunding, Siegmund, Sieglinde, Brunnhilde, Wotan)

Act II Scene 5: Geh hin, Knecht! Knie vor Fricka (Wotan)

Act III Scene 1: Hojotoho! Hojotoho! Heiaha! Heiaha, "Ride of the Valkyries" (Gerhilde, Helmwiege, Waltraute, Schwertleite, Ortlinde, Siegrune, Rossweisse, Grimgerde)

Act III Scene 1: Nach dem Tann lenkt sie das taumelnde Ross (Waltraute, The Valkyries)

Act III Scene 1: Schutzt mich und helft in hochster Not! (Brunnhilde, The Valkyries)

Act III Scene 1: Nicht sehr dich sorge um mich (Sieglinde, Brunnhilde, The Valkyries)

Act III Scene 1: So fliehe denn eilig und fliehe allein! (Brunnhilde, The Valkyries)

Act III Scene 1: Steh, Brunnhild'! (Wotan, Brunnhilde, The Valkyries)

Act III Scene 2: Wo ist Brunnhild', wo die Verbrecherin? (Wotan, The Valkyries)

Act III Scene 2: Hier bin ich, Vater (Brunnhilde, Wotan, The Valkyries)

Act III Scene 3: War es so schmahlich, was ich verbrach (Brunnhilde, Wotan)

Act III Scene 3: Als Fricka den eignen Sinn dir entfremdet (Brunnhilde, Wotan)

Act III Scene 3: So tatest du, was so gern zu tun ich begehrt (Wotan)

Act III Scene 3: Wohl taugte dir nicht die tor'ge Maid (Brunnhilde, Wotan)

Act III Scene 3: Und das ich ihm in Stucke schlug! (Wotan, Brunnhilde)

Act III Scene 3: Leb' wohl, du kuhnes, herrliches Kind! (Wotan)

Act III Scene 3: Der Augen leuchtendes Paar (Wotan)

Act III Scene 3: Loge, hor! (Wotan)

Gramophone Magazine

March 2010

“Young's balancing of orchestral textures is interestingly calculated, often novel, and most attentive to the written dynamics. …Polaski… is compelling. With Struckmann's Wotan… she achieves a rather wonderful, and sadly beautiful, account of the final duet in the closest communion with Young in the pit.”

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subtotal:$0.00$0.00

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