Sibelius: Complete Symphonies

Ondine: ODE10752Q

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Sibelius: Complete Symphonies



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Release date:

6th Feb 2006




4 hours 39 minutes


CD (download also available)
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Sibelius: Complete Symphonies


Symphonies Nos. 1-7 (complete)

Violin Concerto in D minor, Op. 47

Pekka Kuusisto (violin)

Finlandia, Op. 26

CD - 4 discs


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Marking the 140th anniversary of the birth of Finland’s greatest composer, Jean Sibelius, Ondine releases an elegant set of four CDs containing all seven symphonies, Finlandia, and the Violin Concerto.

These Sibelius recordings have received rave reviews throughout the international press. Symphony No. 7 was an Editor’s Choice in The Gramophone.

Jean Sibelius: Symphony No. 1 in E minor, Op. 39

I. Andante, ma non troppo - Allegro energico

II. Andante (ma non troppo lento)

III. Scherzo: Allegro

IV. Finale (quasi una Fantasia): Andante - Allegro molto

Jean Sibelius: Symphony No. 7 in C major, Op. 105

Symphony No. 7 in C major, Op. 105

Jean Sibelius: Finlandia, Op. 26 (version for male choir and orchestra)

Finlandia, Op. 26 (version for male choir and orchestra)

Jean Sibelius: Symphony No. 2 in D major, Op. 43

I. Allegretto

II. Tempo andante, ma rubato

III. Vivacissimo

IV. Finale: Allegro moderato

Jean Sibelius: Symphony No. 6 in D minor, Op. 104

I. Allegro molto moderato

II. Allegretto moderato

III. Poco vivace

IV. Allegro molto

Jean Sibelius: Symphony No. 3 in C major, Op. 52

I. Allegro moderato

II. Andantino con moto, quasi allegretto

III. Moderato - Allegro (ma non tanto)

Jean Sibelius: Symphony No. 5 in E flat major, Op. 82

I. Tempo molto moderato - Allegro moderato

II. Andante mosso, quasi allegretto

III. Allegro molto - Largamente assai

Jean Sibelius: Symphony No. 4 in A minor, Op. 63

I. Tempo molto moderato, quasi adagio

II. Allegro molto vivace

III. Il tempo largo

IV. Allegro

Jean Sibelius: Violin Concerto in D minor, Op. 47

I. Allegro moderato

II. Adagio di molto

III. Allegro, ma non tanto

Gramophone Magazine

May 2006

“Provocative, big-hearted and occasionally just plain bonkers, Segerstam is at his flexible best in Nos 1 and 7, where raw emotion, recreative spark and edge-of-seat drama combine to often revelatory effect.”

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