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Pianist Lars Vogt presents one of the classic works of the Baroque repertoire – Johann Sebastian Bach’s (1685–1750) famous Goldberg Variations.
Originally written for the harpsichord the Goldberg Variations, published in 1741, embody an Aria with 30 variations and a coda. Bach wrote the work for Johann Gottlieb Goldberg, who, as the narrative says, often played music as a cure for Count Kaiserling’s insomnia. Apparently the work was one of the successes that Bach had during his lifetime and it was also published during his lifetime.
Lars Vogt was appointed the first ever “Pianist in Residence” by the Berlin Philharmonic in 2003/04 and enjoys a high profile as a soloist and chamber musician.
Johann Sebastian Bach: Goldberg Variations, BWV 988
Variatio 1. a 1 Clav.
Variatio 2. a 1 Clav.
Variatio 3. Canone all'Unisuono a 1 Clav.
Variatio 4. a 1 Clav.
Variatio 5. a 1 o vero 2 Clav.
Variatio 6. Canone alla Seconda. a 1 Clav.
Variatio 7. a 1 o vero 2 Clav.
Variatio 8. a 2 Clav.
Variatio 9. Canone alla Terza. a 1 Clav.
Variatio 10. Fughetta. a 1 Clav.
Variatio 11. a 2 Clav.
Variatio 12. Canone alla Quarta. a 1 Clav.
Variatio 13. a 2 Clav.
Variatio 14. a 2 Clav.
Variatio 15. Canone alla Quinta. a 1 Clav.
Variatio 16. Ouverture. a 1 Clav.
Variatio 17. a 2 Clav.
Variatio 18. Canone alla Sexta. a 1 Clav.
Variatio 19. a 1 Clav.
Variatio 20. a 2 Clav.
Variatio 21. Canone alla Settima. a 1 Clav.
Variatio 22. a 1 Clav.
Variatio 23. a 2 Clav.
Variatio 24. Canone all'Ottava. a 1 Clav.
Variatio 25. a 2 Clav.
Variatio 26. a 2 Clav.
Variatio 27. Canone alla Nona. a 2 Clav.
Variatio 28. a 2 Clav.
Variatio 29. a 1 o vero 2 Clav.
Variatio 30. Quodlibet. a 1 Clav.
Aria da capo
23rd August 2015
“Informed by period performance practice but playing on a modern grand, Vogt uses very little pedal and keeps ornaments clean and graceful. Textures are transparent. The simplicity, wit and honesty of his approach makes this a wonderful addition to the catalogue by a versatile musician.”
Awards Issue 2015
“he seems to me to bring qualities of freshness and joie de vivre to the Goldbergs that have often been much less marked. He is not reverential and he has noted – correctly, surely – how entertaining the Variations are...Vogt is an artist with much to communicate, and this is a distinguished addition to the discography of the Goldberg Variations in all their glorious elegance.”
“Vogt's feeling for the over-arching whole is impressive. He's not above a little 'guiding' either - pianist that he is, sometimes drawing attention to detail in a way denied to Bach's harpsichord. But he's sparing in the use of the pedal and, like András Schiff and Murray Perahia, inclined to let his fingers sing wherever possible - to laugh, too.”