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Chen Reiss appears in leading roles at La Scala, Vienna State Opera, Bavarian State Opera, Semperoper Dresden, Deutsche Oper Berlin, Hamburg State Opera, and Frankfurt Opera. She also sang the soundtrack to the film ‘Das Parfum’ (Perfume) with the Berlin Philharmonic under Sir Simon Rattle.
Chen Reiss starred with Rolando Villazon on German TV in an opera gala show. She sings Sophie in Der Rosenkavalier in December 2011 at the Staatsoper Wien.
Antonio Salieri: Tremo, Bell'idol Mio (Armida)
Wolfgang Amadeus Mozart: Giunse Alfin Il momento.Deh Vieni, Non Tradar (Le Nozze Di Figaro)
Wolfgang Amadeus Mozart: Voi Avete Un Cor Fedele K217
Domenico Cimarosa: Sinfonia (Il Matrimonio Segreto)
Domenico Cimarosa: Perdonate, Signor Mio (Il Matrimonio Segreto)
Joseph Haydn: Quando La Rosa
Joseph Haydn: Signor, Voi Sapete
Joseph Haydn: Vada Adagio, Signorina
Antonio Salieri: Sinfonia (La Scuola De' Gelosi)
Wolfgang Amadeus Mozart: Un Donna A Quindici Anni (Così Fan Tutte)
Wolfgang Amadeus Mozart: Chi Sa, Chi Sa, Qual Sia K582
Wolfgang Amadeus Mozart: Un Moto Di Gioia K579
Wolfgang Amadeus Mozart: Ah Se In Ciel, Benigne Stelle K538
November 2011
“What a stimulating assemblage of arias, and in intelligent, standard-setting performances...Unexpected insights arrives at every turn...Reiss makes [Salieri and Cimarosa] feel like worthy companions, always looking to find their specific character and never falling into soubrette cuteness...My favourite moment is how wonderstruck her Susanna sounds while absorbing the beauties of the night in the Act 4 Figaro aria.”
December 2011
***
“Reiss has an agile, bell-bright, fluty timbre that's well suited to the soubrette and coloratura repertoire here. She's best in the showy numbers - the glittering roulades of the Mozart concert aria 'Ah se in ciel' and Salieri's 'Tremo bell'idol mio' are bright and fresh. She also displays a lovely line in the short, sweet 'Quando la rosa'”
January 2012
*****
“Reiss is a properly pert Despina (Cosi) and an affecting Susanna...Her attention to detail in the recitative is scrupulous...Reiss's diamond bright coloratura is a mighty weapon...All told, this is a beguiling combination of top-drawer musicianship and fresh ideas about opera in Enlightenment Vienna.”
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Antonio Salieri: Tremo, Bell'idol Mio (Armida)
