Emma Matthews (Violetta Valéry), Gianluca Terranova (Gianluca Terranova), Jonathan Summers (Giorgio Germont), Margaret Plummer (Flora Bervoix), Martin Buckingham (Gastone), James Clayton (Baron Douphol) & Christopher Hillier (Marquis d’Obigny)
Opera Australia Chorus & Australian Opera and Ballet Orchestra, Brian Castles-Onion (conductor) & Francesca Zambello (director)
Usually despatched in 2 - 3 working days.
Stage Designer Brian Thomson
Costume Designer Tess Schofield
Lighting Designer John Rayment
La Traviata, one of the world’s best loved romantic operas, and is performed under the stars on a floating, mirrored stage in Sydney Harbour, with the city, Opera House and Harbour Bridge acting as a stunning backdrop.
Giuseppe Verdi's captivating music is performed with the orchestra concealed in a studio beneath the stage to ensure the finest amplified sound combines with the superlative singing of the cast. With the singers discreetly miked, the recorded sound is presented here in superb quality.
Emma Matthews is continually being garnered with praise - ‘Emma Matthews could inspire the dead, turning in one of the finest readings of this role I’ve ever heard’ (International Record Review on Rigoletto), ‘As Gilda, Emma Matthews is outstanding’ (Opera Now on Rigoletto) – and doesn’t disappoint.
Includes a glittering Swarovski chandelier illuminating the stage and fireworks decorating Sydney Harbour’s sky-line, which render this production as something truly spectacular.
“At times it’s very impressive to look at, at times it’s hackneyed to the point of cliché, but you just might enjoy it, especially if you know Sydney...Matthews is a very effective Violetta. She uses her lyrical voice to great effect, singing with ringing intensity and a good deal of beauty, pinging out the high notes and never showing any discomfort. She also manages to change the colour of her voice most effectively for the final act.”
“Emma Matthews's Violetta is exuberant and breathtakingly accurate...she has nothing to fear from close scrutiny and amid what must have been considerable challenges she feels free enough to wow the audience.”
Click here for alternative recordings of this work.