Rossini: La Cenerentola

Ruxandra Donose (Cenerentola), Maxim Mironov (Don Ramiro), Simone Alberghini (Dandini), Luciano di Pasquale (Don Magnifico), Raquela Sheeran (Clorinda), Lucia Cirillo (Tisbe), Nathan Berg (Alidoro)

London Philharmonic Orchestra, The Glyndebourne Chorus, Vladimir Jurowski, stage direction by...

Some found Peter Hall's staging… too dark and serious, but for me it was an invigorating evening. …Vladimir Jurowski… draws highly polished and brilliant playing from the LPO of one of Rossini's... — BBC Music Magazine, May 2006, 5 out of 5 stars More…

Release Date: 30th Jan 2006
Catalogue No: OA0944D
Label: Opus Arte
Series: Glyndebourne

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Rossini: La Cenerentola

Ruxandra Donose (Cenerentola), Maxim Mironov (Don Ramiro), Simone Alberghini (Dandini), Luciano di Pasquale (Don Magnifico), Raquela Sheeran (Clorinda), Lucia Cirillo (Tisbe), Nathan Berg (Alidoro)
London Philharmonic Orchestra, The Glyndebourne Chorus
Vladimir Jurowski, stage direction by Sir Peter Hall

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Bonus Insights feature with Sir Peter Hall and Vladimir Jurowski.

PICTURE FORMAT: 16:9
LENGTH: 187 Mins
SOUND: DTS SURROUND / LPCM STEREO
SUBTITLES: EN/FR/DE/ES/IT

Artists

Ruxandra Donose (Cenerentola), Maxim Mironov (Don Ramiro), Simone Alberghini (Dandini), Luciano di Pasquale (Don Magnifico), Raquela Sheeran (Clorinda), Lucia Cirillo (Tisbe), Nathan Berg (Alidoro)

London Philharmonic Orchestra, The Glyndebourne Chorus, Vladimir Jurowski, stage direction by Sir Peter Hall

Reviews

May 2006

Some found Peter Hall's staging… too dark and serious, but for me it was an invigorating evening. …Vladimir Jurowski… draws highly polished and brilliant playing from the LPO of one of Rossini's greatest scores. …presenting a down-and-out Don Magnifico - dirty to his fingernails - works well when you have such a strong singing-actor as Luciano Di Pasquale. Ruxandra Donose is winning in the title role…

May 2006

This is a truly marvellous performance on all counts - staging, conducting and singing. Sir Peter Hall… manages to breathe new life into the routines without ever slipping over into farce, while exploring each character in some depth. The sense of an ensemble on top form is underlined by Vladimir Jurowski's exacting, pellucid and vivid interpretation, so that the music, like the libretto, is presented afresh. The superb cast has no weaknesses and many strengths, Ruxandra Donose may not have the idiomatic Italian timbre of Cecilia Bartoli... but she is the more consistent singer, using her wide range and rich tone to startling effect. Her youthful (24-year-old) partner, Russian tenor Maxim Mironov, proves an ideal Ramiro, fluent in every aspect of his role and delivering its appreciable demands in a light, pliant voice of delicate beauty.

This is a performance that meets the Glyndebourne gold standard… Hall has decided to keep it real and produced something understated, sensitive and thus deeply pleasurable.

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Rossini: La Cenerentola

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