Tchaikovsky: Eugene Onegin

Opus Arte: OA1067D

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Tchaikovsky: Eugene Onegin


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27th Feb 2012




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Tchaikovsky: Eugene Onegin

Recorded live at De Nederlandse Opera, June & July, 2011

Olga Savova (Madame Larina), Krassimira Stoyanova (Tatjana), Elena Maximova (Olga), Nina Romanova (Filipjevna), Bo Skovhus (Jevgeni Onjegin), Andrej Dunaev (Vladimir Ljenski), Mikhail Petrenko (Vorst Gremin), Peter Arink (Petrovitsj), Roger Smeets (Zaretski), Guy de Mey (Monsieur Triquet) & Richard Prada (Zapevalo)

The Royal Concertgebouw Orchestra, Mariss Jansons (conductor) & Stefan Herheim (stage director)

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Described by Tchaikovsky as ‘lyric scenes’, Eugene Onegin receives a spectacular reinterpretation from the Norwegian director Stefan Herheim. His productions create controversy and excitement around Europe, and here he takes Pushkin’s story of illusion, disaffection and frustrated love, and places the protagonists – world-weary Onegin and naïve, passionate Tatyana – in a triple temporal perspective, referencing the theatrical present, the period of the work’s composition, and the pageant of Russia’s history. Mariss Jansons, renowned for his mastery of Tchaikovsky’s symphonies, conducts this performance from Amsterdam’s Muziektheater.

‘Put too much steam into Tchaikovsky’s score and it wilts. Be too shy and retiring, on the other hand, and the tragic momentum evaporates. Jansons sets us on a simmer and gradually turns the heat to boiling. It is magisterially paced, stunningly played and, seemingly effortlessly, Jansons captures every aching nuance. […] Herheim’s innovations are often throbbingly acute (and sometimes wickedly funny).’ The Times

Extra features:

Cast gallery

30-Minute Documentary Film

Running time 151mins

Region Code All regions

Picture format 16:9 Anamorphic

Sound format 2.0LPCM + 5.1(5.0) DTS

Menu languages EN

Subtitles EN/FR/DE/IT/ES

BBC Music Magazine

May 2012


“Forget any sense of intimacy in Tchaikovsky's lyrical scenes in this Eugene Onegin; director Stefan Herheim's approach is one of kaleidoscopic excess...No doubt about it, though, this is musically world-class. Mariss Janson's conducting, very imposing in the big moments...accords with the broad brushstrokes of Herheim's production. But the singers are vocally near ideal. Krassimira Stoyanova's Tatyana is thrillingly secure as well as vulnerable”

Gramophone Magazine

July 2012

“Characters not only invade each other's memories but appear in fantasy form...Still, this isn't a Regie-Theater free for all...Herheim directs so many keen moments of character interactions that there's no danger of the opera lapsing into simplistic cliches...what a treat to hear an appealing, soft-grained version of [Skovhus's] voice in the title-role...what linguistic authority and depth of soul [Stoyanova] brings to the character!”

International Record Review

May 2012

“Herheim sees the opera as a representation of memories...I suspect that this would be impossible to follow if you didn't know the opera's hard not to get caught up in the sheer chutzpah of the production...[Stoyanova] sails through the Letter Scene with plenty of fire...Star of the evening is the conductor Mariss Jansons. It's clear from the documentary that he loves the work..and he plays it with a rhythmic vitality”

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