Wagner: Lohengrin

Opus Arte: OA1071D

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Wagner: Lohengrin


Opus Arte

Catalogue No:




Release date:

28th May 2012




DVD Video




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Wagner: Lohengrin

Recorded live at the Bayreuth Festival, August 2011

Klaus Florian Vogt (Lohengrin), Annette Dasch (Elsa Von Brabant), Petra Lang (Ortrud), Jukka Rasilainen (Friedrich Von Telramund), Georg Zeppenfeld (König Heinrich), Samuel Youn (Der Heerrufer Des Königs)

Bayreuth Festival Orchestra & Chorus, Andris Nelsons (conductor) & Hans Neuenfels (director)

DVD Video - 2 discs


Usually despatched in 2 - 3 working days.

Hans Neuenfels’s striking new production of Wagner’s fairytale opera gives this medieval story of doomed love and sorcery the Bayreuth treatment. As controversial as it is stimulating, this production was the talk of the 2011 Festival, and showcases a new generation of Wagnerian singing talent including soprano Annette Dasch and tenor Klaus Florian Vogt.

Running time: 84 minutes

Subtitles: EN/FR/DE/ES

Sound format: 2.0LPCM + 5.1(5.0) DTS

BBC Music Magazine

September 2012


“If the recording of the live performance had been on CD, I would have been mainly enthusiastic. Andris Nelsons is the most promising Wagner conductor I have heard for a long time, and his account of this glowing, radiant score is broad. The singing is good, too, with a lovely Elsa from Annette Dasch, and a Lohengrin who has magnificent moments.”

Gramophone Magazine

October 2012

“This is a rather special Lohengrin...the spacious Bayreuth sound is moulded with exceptional tonal refinement and richness of colour...Vogt has more than enough stamina and vocal authority to sustain the role. All six solo singers are musically excellent and dramatically persuasive, with Petra Lang's excoriating Ortrud and Georg Zeppenfeld's grave yet warm-toned King Henry particularly memorable...The general air of conviction owes much to the excellent cinematography”

International Record Review

September 2012

“In appearance and textual delivery Vogt is ideal, but his sweet, plaintive voice doesn't ring on top...Vogt hasn't an ideal legato style either, but his tenderness is extremely affecting...[Lang is] directed into overacting, but she sigs passionately into the text and for this role has transformed her mezzo into a bright-toned dramatic soprano. Bayreuth's incomparable chorus really deserves a medal for its performance here.”

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