Wagner: Lohengrin

Klaus Florian Vogt (Lohengrin), Solveig Kringelborn (Elsa), Waltraud Meier (Ortrud), Tom Fox (Telramund), Hans-Peter König (King Heinrich), Roman Trekel (Herald)

EuropaChorAkademie Mainz, Chorus of the Opéra national de Lyon & Deutsches Symphonie-Orchester Berlin, Kent Nagano (musical director)...

Nikolaus Lehnhoff's new Lohengrin is a calculated distillation of both the work's dramatic contents and its production history. The hand of his old master Wieland Wagner lies beneficially over... — Gramophone Classical Music Guide, 2010 More…

Release Date: 30th Mar 2009
Catalogue No: OABD7026D
Label: Opus Arte

Wagner: Lohengrin

Recorded live in the Festspielhaus, Baden-Baden in June 2006.
Klaus Florian Vogt (Lohengrin), Solveig Kringelborn (Elsa), Waltraud Meier (Ortrud), Tom Fox (Telramund), Hans-Peter König (King Heinrich), Roman Trekel (Herald)
EuropaChorAkademie Mainz, Chorus of the Opéra national de Lyon & Deutsches Symphonie-Orchester Berlin
Kent Nagano (musical director) & Nikolaus Lehnhoff (stage director)

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With powerful conviction, Nikolaus Lehnhoff interprets Wagner’s Lohengrin as the dramatic struggle of masculine and feminine, revenge and compassion. Powerfully acted, almost like a Strindberg play, and musically of the highest order, this Lohengrin from the Festspielhaus in Baden-Baden will be a benchmark production for decades. With his extraordinarily transparent interpretation of the title role, Klaus Florian Vogt leads an inspired cast to visionary realms that are rarely touched, let alone captured on High Definition film and in pure surround sound. The monumental sets by Stephan Braunfels and Kent Nagano’s sublimely wellbalanced musical interpretation complete a deeply moving totaltheatre experience.

Bonus material:

Illustrated synopsis & cast gallery.

Never Shalt Thou Ask of Me - A documentary film by Reiner E. Moritz, including interviews with Nikolaus Lehnhoff, Stephan Braunfels, Bettina Walter, Kent Nagano and leading members of the cast.

'Whoever believes to already know all nuances of Lohengrin should go to Baden-Baden: soloists, chorus and orchestra are brilliant – and the production leaves barbed afterthoughts in your mind. … There has not been a Lohengrin like Klaus Florian Vogt, the young tenor from Hamburg, for many years…his voice is pure, clean, whiter than snow. Not of this world. Ideal for this role.' Frankfurter Algemeine

Note: This Blu-ray Disc (BD) is not compatible with standard DVD players

PICTURE FORMAT: 1080i
LENGTH: 279 Mins
SOUND: 2.0 & 5.1 PCM
SUBTITLES: EN/FR/DE/ES/IT

Artists

Klaus Florian Vogt (Lohengrin), Solveig Kringelborn (Elsa), Waltraud Meier (Ortrud), Tom Fox (Telramund), Hans-Peter König (King Heinrich), Roman Trekel (Herald)

EuropaChorAkademie Mainz, Chorus of the Opéra national de Lyon & Deutsches Symphonie-Orchester Berlin, Kent Nagano (musical director) & Nikolaus Lehnhoff (stage director)

Reviews

2010

Nikolaus Lehnhoff's new Lohengrin is a calculated distillation of both the work's dramatic contents and its production history. The hand of his old master Wieland Wagner lies beneficially over the outer acts' terraced ranks of Brabantine courtiers and Saxon soldiers, as it does on the chessboard movements of the principals around a central disc. (The sets here are by the noted German architect Stephan Braunfels, whose recreation of a giant Svoboda staircase for the Act 2 processions is memorable.) The (swanless) appearance and departure of Lohengrin into a thin, central beam of light recall the imagery of Bayreuth's recent Keith Warner/Stefanos Lazaridis staging, while the promotion of Elsa to a constantly onstage narrator/dreamer continues an idea of Götz Friedrich's in an earlier Bayreuth production.
Yet, although Bettina Walter's costumes are modern-ish – somewhere between Juan Carlos's ceremonial Spain and a Hollywood Prisoner of Zenda – Lehnhoff's direction, as always, remains narrative-based and essentially traditional. Only once, in the bridal chamber scene of Act 3 does this director allow himself a conceit, showing Lohengrin, Wagner-like, at a reversed keyboard piano, composing and playing the wedding march. It's a strange and acute image, revealing at a stroke the hero's narcissistic and chauvinistic self-absorption.
Lehnhoff's accumulation of images is trenchantly delivered onstage by his two leading ladies, both wide-ranging, attention-holding actresses: Kringelborn in her vocal prime, strong, pure, never forcing; Meier in her vocal Indian summer, strong, impure, sometimes forcing, but always wholly in the service of this sexy, brainy Ortrud. Vogt, in his silver-blue zoot suit, is a charismatic enigma (hence ideal for this role), an apparently super-light voice but one with both stamina and sustaining power. The lower male voices also make their mark: Fox creates sympathy for this Macbeth without a brain; Trekel's Herald has power and attitude; König is a subtly eponymous, weak liberal Henry. The chorus(es) sound undernourished, acting better than they keep together (in the tricky vocal helter- skelter of Lohengrin's arrival) with the pit. It sounds like early days for Kent Nagano at maintaining pace and flow through the weighty fourin- a-bar recitative-like passages.
Thomas Grimm gets his cameras in close, leaving the singers to track reactions to solo utterances but missing some crucial interplay.
Within a natural sound spectrum, some tweaking has been done to pull out solo lines in ensemble, but the emotions of Lehnhoff's vision ring true and will give pleasure.

July 2010

Elsa remains constantly onstage to narrate and to dream. The cast includes the sexy, brainy Ortrud of Waltraud Meier and the controversially light-toned Klaus Florian Vogt in the title-role.

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