Berg’s masterful and thought-provoking opera tells the gripping story of the rise and fall of an alluring, destructive but vulnerable woman, culminating in her death at the hands of Jack the Ripper. Christof Loy’s austere, minimalist production allows the complexities of the drama to unfold through the sumptuous, taut beauty of the score. Agneta Eichenholz and Michael Volle lead an all-star cast under Antonio Pappano. Philip Langridge took the role of the Prince, in his last stage appearance before his sudden death earlier this year. Recorded in High Definition and true surround sound.
(Contains Scenes of Violence)
“It is immaculately rehearsed and executed – one doesn't often see opera acted with such freedom and honesty and absence of flummery. And its unsparing analytic clarity forces one to confront the bitter truth about Lulu's inner life and the corruption and idiocy of the men who are infatuated by her. … Antonio Pappano's electrifying conducting is razor-sharp in the manner of Pierre Boulez, and the orchestral playing is magnificent. … Singing with an extraordinary grace and insouciance, Eichenholz manages to make this monster chillingly real and hauntingly beautiful.” The Telegraph
Interview with Antonio Pappano
Interview with Agneta Eichenholz
Running time 205 mins
Region code All regions
Video codec: AVC/MPEG-4
Disc size: BD50
Picture format 1080i High Definition / 16:9
Sound format 2.0 LPCM & 5.1 DTS-HD Master Audio
Menu language EN
“Robin Lough's direction for the cameras is faithful to Loy's conception and the outstanding cast...Volle holds the stage as Dr Schön/Jack the Ripper; Eichenholz's Lulu ensnares and is also vulnerable...As presented here, Lulu is an emotional and musical roller-coaster.”
“Pappano has a firm grip of every nuance of the music, from the gossamer-like delicacy after the dialogue at the end of Act II to the various moments of wrenching, disturbing power.”
“[Loy] wants us to work hard, to forget chasing any scent or taint of voyeurism...while Pappano is keen to bring clarity, both in his conducting and his talking...Like many productions now staged with an eye to DVD release, the 16:9 shape of the stage and intimacy of gesture certainly make more sense now than they did in the theatre...Will Hartmann is a wonderfully open, naive Painter, a Schubertian young Wanderer”
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