Recorded live at La Teatro alla Scala, 20 March, 2011
Günther Groissböck (Sarastro), Saimir Pirgu (Tamino), Albina Shagimuratova (Queen of the Night), Genia Kühmeier (Pamina), Ailish Tynan (Papagena), Alex Esposito (Papageno) & Peter Bronder (Monostatos)
Orchestra of Teatro alla Scala & Choir of the Accademia del Teatro alla Scala, Roland Böer (conductor) & William Kentridge (stage director)
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From the Queen of the Night's vocal pyrotechnics to Papageno's chirpy birdsongs, The Magic Flute is one of Mozart's most charming and engaging operas. However, its fairytale surface conceals the mysteries of an initiation ritual and a multi-layered plot, packed with allegories to fire up the imagination.
This celebrated production by artist William Kentridge joyfully bursts onto the stage of Teatro alla Scala in Milan, featuring the dazzling Russian coloratura Albina Shagimuratova as the Queen of the Night, and Italian bass Alex Esposito as Papageno, one of the most sought after artists of his generation.
Overview of the Magic Flute
Running time 150 mins
Region Code All regions
Picture format 1080i High Definition / 16:9
Sound format 2.0LPCM + 5.1(5.0) DTS
Menu languages EN
“This is a wonderful performance...I was more moved and enchanted by this than by any other Magic Flute I have seen on DVD...[Esposito's Papageno] sung with glorious abandon, while his acting strikes notes of pathos...Kuhmeier is as expressive as it's possible to be, without transgressing Mozart's idiom...The most sensational performance is by [Shagimuratova], the finest Queen of the Night I have ever heard...This is a noble, ennobling achievement.”
“It is world-worthy; the conception, by South African artist William Kentridge, emphasizes the concepts of light and dark, exploration and love...It's endlessly good to look at...Musically, there is also much to admire...Esposito's Papageno is a well-sung charmer - more serious than many, deeply sincere...this is a fascinating take on the work that Flute aficionados will appreciate for plenty of reasons.”
“It is very much 'producer's opera' and it will annoy some people. I found it fascinating...Lively musical direction, incorporating Rene Jacobs's superfluous keyboard interjections. Don't miss this visually enchanting and thought-provoking treat.”
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