Monteverdi: L'incoronazione di Poppea

Opus Arte: OABD7105D

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Monteverdi: L'incoronazione di Poppea


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26th March 2012







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Monteverdi: L'incoronazione di Poppea

Recorded live at the Gran Teatre del Liceu, Barcelona, February 2009

Miah Persson (Poppea), Sarah Connolly (Nerone), Jordi Domènech (Ottone), Franz-Josef Selig (Seneca), Maite Beaumont (Ottavia), Dominique Visse (Nutrice/Arnalta), Ruth Rosique (Drusilla), Guy de Mey (Lucano), William Berger (Valletto), Marisa Martins (La Fortuna/Pallas Athene/Venus), Judith van Wanroij (Damigella/La Virtu)

Baroque Orchestra of the Gran Teatre del Liceu, Harry Bicket (conductor) & David Alden (stage director)


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Love conquers all – ruthlessly and irresistibly – as Emperor Nero and his mistress Poppea remove the obstacles to their union. At Barcelona’s Gran Teatre del Liceu David Alden’s visually sumptuous production, with its suggestions of a giant game of chess, puts the opera’s potent blend of sex and politics in a context that sets ancient against modern– just as the action juxtaposes scurrilous comedy and stark drama. Monteverdi’s magnificent score, meanwhile, accommodates intrigue, wit, nobility, tragedy and sensuality, and, led by the intense Sarah Connolly and the delectable Miah Persson, the cast brings both drama and music startlingly to life.

Monteverdi's final masterpiece.

Harry Bicket is an internationally renowned early music specialist.

Sarah Connolly recently appeared in the BBC's Opera Italia series, performing a scene from Poppea.

Bicket says of Poppea, 'this is one of the best librettos ever written for an opera.'

Extra features include an illustrated synopsis and cast gallery.

Running time: 183 minutes

Subtitles: EN/FR/DE/ES/Catalan

Sound format: 2.0LPCM + 5.1(5.0) DTS

BBC Music Magazine

July 2012


“this Barcelona interpretation by [Alden] is almost Brechtian in the spare objectivity of its stage set, and Expressionist in its use of the shadowy, zombie-like figure of Time that shuffles across the back of the stage...Persson is a superb Poppea who can really act with her voice but whose body seems constrained by the direction...The orchestral accompaniments are nicely varied.”

Gramophone Magazine

September 2012

“a punchy 2009 performance of distinctively dark musical colouring...Nothing is overly camped up - even Dominique Visse in loud, bra-flashing drag...The whole is acutely paced and supported by Harry Bicket's orchestra, thei performance a reminder of how much progress has been made in the realisation of early Venetian opera in the last half-century...The hand-picked European cast is in fine fettle, Connolly's Nero outstanding”

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