Hilde Konetzny

Orfeo: C597091B

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Hilde Konetzny

Label:

Orfeo

Catalogue No:

C597091B

Series:

Orfeo d'Or

Discs:

1

Release date:

19th Oct 2009

Barcode:

4011790597126

Medium:

CD
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Hilde Konetzny

Live Recordings 1942/43


Brahms:

An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty)

Feldeinsamkeit, Op. 86 No. 2

Ständchen, Op. 106 No. 1

Von ewiger Liebe, Op. 43 No. 1

Dvorak:

Gypsy Melodies (7), Op. 55 (B104)

Franz, R:

Es hat die Rose sich beklagt

Im Herbst

Auf dem Meere

Marx:

Lied eines Mädchens

Der bescheidene Schäfer

Schubert:

Rastlose Liebe, D138

Mignon I (Heiß mich nicht reden) D726

Frühlingssehnsucht, D 957 No. 3

Schumann:

Widmung, Op. 25 No. 1

Marienwürmchen Op. 79/14

Strauss, R:

Cäcilie, Op. 27 No. 2

Heimliche Aufforderung, Op. 27 No. 3

Schlagende Herzen Op. 29 No. 2

Ich trage meine Minne, Op. 32 No. 1

Schlechtes Wetter, Op. 69 No. 5

Wolf, H:

Gesang Weylas (No. 46 from Mörike-Lieder)

Nimmersatte Liebe (No. 9 from Mörike-Lieder)

In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder)

Wenn du, mein Liebster steigst zum Himmel auf (No. 36 from Italienisches Liederbuch)

Frühling übers Jahr (No. 28 from Goethe-Lieder)


Hilde Konetzni (soprano) & Josef Krips (piano)

CD

$13.25

Usually despatched in 3 - 4 working days.

The recording conditions could hardly have been more dramatic, made in the bleak mid-war winter of 1942-3, lirico-spinto soprano Hilde Konetzni in a Romantic song programme with Josef Krips as her accompanist and mentor. Konetzni is best known as the Sieglinde in two complete recordings of the Valkyrie under Wilhelm Furtwängler; Krips had been banned from working by the Nazis, so his coaching activities had to be carried out underground, under a constant threat to his life.These private recordings were made by Hermann May, the then sound engineer of the Vienna State Opera, and can now be released on CD thanks to their careful restoration by the Eichinger recording studio in Vienna in collaboration with Gottfried Kraus. The result will delight more than just those interested in Josef Krips's legendary talent for carefully coaching singers, on account of the warmth and immediacy of the ensemble achieved by Konetzni and Krips.This is just as evident in the songs by lesser-known composers such as Robert Franz and Joseph Marx.The Gypsy Melodies by Antonín Dvorák are both the highpoint and the culmination of this recital, not just on account of the interpretative art they display, typical of the time, nor merely as a document of two artistic personalities. But as testament to a friendship that was sustained despite adversity.

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