Cima, G: Vespro della Beata Virgine

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Daniela Dolci’s Musica Fiorita offer spirited and emotionally nuanced interpretations. — Choir & Organ, March/April 2016 More…

Release Date: 9th Mar 2015
Catalogue No: PC10316
Label: Pan Classics
Length: 61 minutes

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Cima, G: Sonata à 4

Work length4:20

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

anon.: Deus in adjutorium, Domine ad adjuvandum

Work length1:10

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Deus in adiutorium (Invitatorio)

Track length1:10

$1.00

$1.30

Cima, G: Adiuro vos filiae

Work length3:18

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

anon.: Assumpta est Maria

Work length0:30

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Assumpta est Maria (Antifona)

Track length0:30

$1.00

$1.30

Cima, G: O dulcedo meliflua a 1

Work length3:39

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

anon.: Maria Virgo assumpta es

Work length0:44

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Maria Virgo assumpta es (Antifona)

Track length0:44

$1.00

$1.30

Cima, G: Sonata à 2

Work length5:18

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

anon.: Exaltata est sancta

Work length0:30

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Exaltata est sancta (Antifona)

Track length0:30

$1.00

$1.30

Cima, G: Surge propera, in eco

Work length3:24

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

anon.: Oratio

Work length1:01

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Paradisi porte per te nobis aperte sunt (Antifona)

Track length1:01

$1.00

$1.30

Cima, G: Vulnerasti cor meum a 3

Work length3:21

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Post partum virgo

Work length0:43

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Post partum virgo (Antifona)

Track length0:43

$1.00

$1.30

Cima, G: Sonata a 3

Work length3:55

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

anon.: Paradisi porte per te nobis aperte sunt

Work length0:43

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Paradisi porte (Antifona)

Paradisi porte per te nobis aperte sunt (Antifona)

Track length0:43

$1.00

$1.30

Cima, G: Vidi speciosam a 3

Work length2:24

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

anon.: In omnibus requiem

Work length0:36

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

In omnibus requiem (Capitulum)

Track length0:36

$1.00

$1.30

Andre Cima: Capriccio a 2

Work length4:35

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Andre Cima: Sonata a 4

Work length2:59

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

anon.: Hymnus: Ave Maris stella

Work length1:53

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Cima, G: Sonata à 2

Work length4:41

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Cima, G: Quae est ista a 3

Work length2:31

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

anon.: Hodie Maria Virgo celos ascendit

Work length0:49

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Hodie Maria Virgo celos ascendit (Antifona)

Track length0:49

$1.00

$1.30

Cima, G: Ecce Maria a 4

Work length2:51

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

anon.: Benedicamus domino

Work length1:00

$1.00

$1.30

Cantilena Antiqua
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

Cima, G: Assumpta est Maria a 8

Work length4:35

$1.00

$1.30

Musica Fiorita
Daniela Dolci
Recorded: 14-17 November 2012
Recording Venue: Pfarrei Heilig Kreuz, Binningen

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About

In his own time, Giovanni Paolo Cima (c.1570-c.1626) was considered one of the great composers of counterpoint, in a league with Monteverdi and Merulo. He had a long-term influence on the stylistic transformation which took place between the Renaissance and the Early Baroque periods. His predilection for sacred music, however, was apparently the cause of his later neglect. His Concerti ecclesiastici appeared in 1610; this is an extensive collection of sacred vocal music for the most varied liturgical application, supplemented by several instrumental works. Most of the motets have just a few parts, as was typical of the "modern" monodic style that developed during this period. In addition, there are also pieces for larger ensembles such as, for example, the eight-part Assumpta est Maria, especially interesting due to its echo and dialogue structure. Moreover, the collection contains the earliest preserved solo and trio sonatas, revealing Cima as a pioneer in the area of instrumental music. Daniela Dolci and Musica Fiorita have put together a Vespro della Beata Virgine from this material – modelled after the famous Maria Vespers of his contemporary Monteverdi which, interestingly, also appeared in the year 1610. It shows that the development of the new seconda prattica was not the sole invention of Monteverdi, but a trend of the period in which Cima's music definitely bears comparison with his famous contemporary.

Reviews

March/April 2016

Daniela Dolci’s Musica Fiorita offer spirited and emotionally nuanced interpretations.

12th April 2015

Although there is little here as grand as Monteverdi’s multivoiced psalm settings, Cima’s music, which also includes much fine instrumental material, is mellifluous and artful. The instrumentalists and singers give stylish performances.

15th March 2015

Those in search of the dramatic thrills of the better-known 1610 Vespers will be disappointed, but Cima’s music is intimate, delicate, and often exquisitely turned. There are chromatic twists, imaginative word-setting, and added instrumental pieces and plainsong antiphons.

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