Rossi, C: Sant‘ Alessio

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Release Date: 10th Jun 2016
Catalogue No: PC10347
Label: Pan Classics
Length: 64 minutes

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Rossi, C: Sant'Alessio, Pt. 1

Work length33:01

$8.00

$10.40

Agnieszka Kowalczyk (soprano), William Lombardi (tenor), Rosa Dominguez (soprano), Graham Pushee (countertenor)
Musica Fiorita
Daniela Dolci
Recorded: April 2001
Recording Venue: Reformierte Kirche Meiringen, Switzerland

Part I: Introduction - Se quel Dio che in ogni opra (Father, Mother)

Track length3:52

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$1.30

Part I: Aria: Dove sei bramata stella (Mother, Father)

Track length4:15

$1.00

$1.30

Part I: Aria: Non è mai sereno un ciglio (Mother, Father, Bride)

Track length4:29

$1.00

$1.30

Part I: Aria: Basta sol che casto sia (Bride)

Track length3:25

$1.00

$1.30

Part I: Aria: Sonori concenti (Father, Alessio)

Track length3:46

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$1.30

Part I: Aria: Quando meta è del desio (Alessio, Bride)

Track length5:41

$1.00

$1.30

Part I: Aria: Credi, o bella, ch'io t'adoro (Alessio, Bride)

Track length3:41

$1.00

$1.30

Part I: Aria: Cielo, pietoso Cielo (Bride)

Track length3:52

$1.00

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Sant'Alessio, Pt. 2

Work length31:35

$8.00

$10.40

Recorded: April 2001
Recording Venue: Reformierte Kirche Meiringen, Switzerland

Part II: Sinfonia - Allesio, ove t'aggiri? (Bride, Alessio)

Track length2:05

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$1.30

Part II: Aria: O rallenta in me l'affanno (Bride, Alessio)

Track length4:02

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$1.30

Part II: Aria: A guerra mi sfida (Alessio, Bride, Father)

Track length2:44

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Part II: Aria: È la vita un mare ondoso (Father, Mother)

Track length3:53

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Part II: Aria: Un barbaro rigor (Mother, Bride, Father)

Track length4:08

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Part II: Aria: Duol sofferto per amore (Alessio, Bride)

Track length6:21

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Part II: Aria: Mi pasco di pene (Bride, Alessio, Mother, Father)

Track length5:23

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Part II: Trio: Io ti stringo a questo sen (Bride, Mother, Father)

Track length2:59

$1.00

$1.30

About
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Several women are known to have composed music in Northern Italy and Austria during the period 1670 to 1725. Of those women, though there is no remaining biographical information, Camilla de Rossi (fl. 1707–1710) by far has the most surviving works. The only known biographical detail about Camilla is her Roman citizenship: she always signed the title pages of her manuscripts as Romana, or a woman of Roman descent. Where she learned the skills as a musician and as a composer are entirely unknown today.

Rossi composed four oratorios for solo voices and orchestra, all of which were commissioned by Emperor Joseph I of Austria and performed in the Imperial Chapel in Vienna. In many details the style of the instrumental parts resemble those of Arcangelo Corelli, who at this time was Rome’s musical magnet, so to speak, and whose Classical instrumental works were extensively studied by every composer. The elaborate fashioning of the individual voices, the variety of tonal colours and the diversity in the orchestration are, besides the plasticity of the representation of the musical effects, characteristic of Camilla de Rossi’s oratorios.

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