Bach, J S: Cello Suites Nos. 1-6, BWV1007-1012

Pentatone: PTC5186555

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Bach, J S: Cello Suites Nos. 1-6, BWV1007-1012

Label:

Pentatone

Catalogue No:

PTC5186555

Discs:

2

Release date:

16th Oct 2015

Barcode:

0827949055560

Length:

2 hours 13 minutes

Medium:

SACD (download also available)

Format:

Hybrid Multi-channel

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Bach, J S: Cello Suites Nos. 1-6, BWV1007-1012

According to Anna Magdalena


Matt Haimovitz (baroque cello & cello piccolo)

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Fresh off the heels of his revelatory period-instrument recording of the complete Beethoven Sonatas and Variations with Christopher O’Riley, BEETHOVEN, Period., Haimovitz releases J.S. Bach: The Cello Suites according to Anna Magdalena on baroque cello and cello piccolo, the five-string instrument for which Bach’s Suite VI was likely intended.

The original manuscript of J.S. Bach’s 6 Suites for Cello Solo has been lost to history. One of our only apostles is a copy made by Anna Magdalena, Bach’s second wife, her handwriting uncanny in its likeness to the composer’s own. Since 1890, when Casals found a published copy in a second-hand music shop and first performed the suites in public 20 years later, the suites have been both Bible and Holy Grail of the solo cello repertoire – each cellist searching for his own way into the heart of this music.

Cellist Matt Haimovitz has been closely associated with the Bach suites since the year 2000, when the former child prodigy jump-started the alt-classical revolution by performing the complete cycle in folk clubs and rock venues, including New York’s now-defunct punk palace CBGB’s. That same year, he released a 3-CD set of the Suites that launched the newborn Oxingale Records.

Now, 15 years later, Haimovitz returns to The Cello Suites with a stunning new interpretation, intimately informed by Anna Magdalena’s manuscript and the tools of the time.

Johann Sebastian Bach: Cello Suite No. 1 in G Major, BWV 1007

I. Prelude

II. Allemande

III. Courante

IV. Sarabande

V. Menuet I-II

VI. Gigue

Johann Sebastian Bach: Cello Suite No. 2 in D Minor, BWV 1008

I. Prelude

II. Allemande

III. Courante

IV. Sarabande

V. Menuet I-II

VI. Gigue

Johann Sebastian Bach: Cello Suite No. 3 in C Major, BWV 1009

I. Prelude

II. Allemande

III. Courante

IV. Sarabande

V. Bourree I-II

VI. Gigue

Johann Sebastian Bach: Cello Suite No. 4 in E-Flat Major, BWV 1010

I. Prelude

II. Allemande

III. Courante

IV. Sarabande

V. Bourree I-II

VI. Gigue

Johann Sebastian Bach: Cello Suite No. 5 in C Minor, BWV 1011

I. Prelude

II. Allemande

III. Courante

IV. Sarabande

V. Gavotte I-II

VI. Gigue

Johann Sebastian Bach: Cello Suite No. 6 in D Major, BWV 1012

I. Prelude

II. Allemande

III. Courante

IV. Sarabande

V. Gavotte I-II

VI. Gigue

Gramophone Magazine

November 2015

“[Haimovitz's] second recording of the Suites is not one for the faint-hearted…despite the excessive mannerism of the first three Suites, this collection achieves a genuine elegance that, although hard-won, is worth the investment. Those seeking beauty for beauty's sake may want to look elsewhere…but those who want to be challenged without compromising tone or tuning, both of which are impeccable here, should look no further”

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