Mahler: Song Cycles

Pentatone: PTC5186576

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Mahler: Song Cycles

Label:

Pentatone

Catalogue No:

PTC5186576

Discs:

1

Release date:

7th July 2017

Barcode:

0827949057663

Length:

61 minutes

Medium:

SACD (download also available)

Format:

Hybrid Multi-channel
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Released or re-released in last 6 months

Mahler: Song Cycles


Mahler:

Kindertotenlieder

Lieder eines fahrenden Gesellen (4 songs, complete)

Rückert-Lieder (5 songs, complete)


SACD

$15.00

(also available to download from $10.00)

In stock - usually despatched within 1 working day.

Marc Albrecht conducts the Netherlands Philharmonic Orchestra with the acclaimed mezzo-soprano Alice Coote in a persuasive new recording of Mahler’s incomparable orchestral song cycles Lieder eines fahrenden Gesellen, Kindertotenlieder and the Rückert-Lieder.

Richly lyrical, poignant and soul searching, Mahler’s orchestral songs deal with the familiar themes of love, life, resignation and loss, exquisitely realised on an orchestral canvas which combines haunting and compelling sonorities with strident, unsettling dissonances. While not as ambitious as his symphonies, they are as deeply-felt and often regarded as the key to the larger-scale works.

The eloquent sadness of the Kindertotenlieder is expressed though the rather bare orchestration and the entrancing use of solo instruments, culminating in a blissfully serene conclusion. With Lieder eines fahrenden Gesellen, the restless mood swings are matched with fluctuating, vividly textured orchestral colours. And for the most lyrical song cycle, the Rückert-Lieder, the delicately woven orchestral textures are ravishing in their effect, especially in the incomparable Ich bin der Welt abhanden gekommen, a song of which Mahler said “It is truly me”.

“What makes Albrecht’s Mahler so unique? His approach has integrity, is intelligent and sensitive … Albrecht leads the Mahler that makes you love Mahler.” (NRC Handelsblad).

Marc Albrecht is Music Director of the Netherlands Philharmonic, the Netherlands Chamber Orchestra and the Dutch National Opera. Acclaimed for his interpretations of Wagner, Strauss and Mahler, as well as for his commitment to contemporary music, Albrecht is a regular guest at Europe’s most prestigious opera houses and orchestras.

The world renowned mezzo-soprano Alice Coote is acclaimed for her performances of Strauss, Mahler, Berlioz, Mozart, Handel and Bach; she performs throughout the UK, Europe and the US and has a busy recital schedule.

The Guardian noted “Alice Coote's many admirers will be grateful to have her performance in Mahler’s great song-symphony documented in a carefully made studio recording [for PENTATONE], for she has emerged over the past few years as one of the finest mezzo interpreters of Das Lied von der Erde around … exquisitely coloured; every word matters, and the sadness that pervades the mezzo songs in particular is conveyed without it ever becoming self-conscious or sentimental.”

Gustav Mahler: Lieder eines fahrenden Gesellen

Lieder eines fahrenden Gesellen: No. 1, Wenn mein Schatz Hochzeit macht

Lieder eines fahrenden Gesellen: No. 2, Ging heut' morgen übers Feld

Lieder eines fahrenden Gesellen: No. 3, Ich hab' ein glühend Messer

Lieder eines fahrenden Gesellen: No. 4, Die zwei blauen Augen von meinem Schatz

Gustav Mahler: Rückert-Lieder

Rückert-Lieder: No. 1, Ich atmet' einen linden Duft

Rückert-Lieder: No. 3, Blicke mir nicht in die Lieder

Rückert-Lieder: No. 2, Liebst du um Schönheit

Rückert-Lieder: No. 5, Um Mitternacht

Rückert-Lieder: No. 4, Ich bin der Welt abhanden gekommen

Gustav Mahler: Kindertotenlieder

Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n

Kindertotenlieder: No. 2, Nun seh' ich wohl

Kindertotenlieder: No. 3, Wenn dein Mütterlein

Kindertotenlieder: No. 4, Oft denk' ich, sie sind nur ausgegangen

Kindertotenlieder: No. 5, In diesem Wetter

Gramophone Magazine

July 2017

“Her mezzo is rich and multicoloured, imbued with an intrinsic intensity and emotional complexity...In some ways, then, this disc presents the sort of performances one would expect: deeply personal, vocally idiosyncratic...It's not always beautiful...but there's never any doubting the emotional truth.”

The Guardian

13th July 2017

****

“With conductor Marc Albrecht drawing eloquent playing by the Netherlands Philharmonic Orchestra, her performance has a focus that’s compelling, as well as all the individuality you’d expect. Higher up, she sounds full of light and warmth...but all her voice’s many facets are harnessed to convey meaning.”

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