Schoenberg: Piano Concerto, Op. 42, etc.

Philips: 4680332

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Schoenberg: Piano Concerto, Op. 42, etc.

Awards:

Gramophone Awards 2001

Record of the Year Finalist

Label:

Philips

Catalogue No:

4680332

Discs:

1

Barcode:

0028946803325

Medium:

CD
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Berg:

Piano Sonata, Op. 1

Schoenberg:

Piano Concerto, Op. 42

The Cleveland Orchestra, Pierre Boulez

Klavierstücke (3), Op. 11

Kleine Klavierstücke (6), Op. 19

Webern:

Variations, Op. 27


CD

$17.25

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playSchoenberg: Piano Concerto, Op. 42 - 1. Andante

playSchoenberg: Piano Concerto, Op. 42 - 2. Molto Allegro

playSchoenberg: Piano Concerto, Op. 42 - 3. Adagio

playSchoenberg: Piano Concerto, Op. 42 - 4. Giocoso

playWebern: Variations For Piano, Op. 27 - 1. Sehr Mäßig

playWebern: Variations For Piano, Op. 27 - 2. Sehr Schnell

playWebern: Variations For Piano, Op. 27 - 3. Ruhig Fließend

playSchoenberg: 3 Klavierstücke, Op. 11 - 1. Mäßig

playSchoenberg: 3 Klavierstücke, Op. 11 - 2. Mäßige

playSchoenberg: 3 Klavierstücke, Op. 11 - 3. Bewegt

playSchoenberg: 6 Kleiner Klavierstücke, Op. 19 - 1. Leicht, Zart

playSchoenberg: 6 Kleiner Klavierstücke, Op. 19 - 2. Langsam

playSchoenberg: 6 Kleiner Klavierstücke, Op. 19 - 3. Sehr Langsam

playSchoenberg: 6 Kleiner Klavierstücke, Op. 19 - 4. Rasch, Aber Leicht

playSchoenberg: 6 Kleiner Klavierstücke, Op. 19 - 5. Etwas Rasch

playSchoenberg: 6 Kleiner Klavierstücke, Op. 19 - 6. Sehr Langsam

playBerg: Piano Sonata, Op. 1

Gramophone Classical Music Guide

2010

“Uchida's distinctive musical personality and outstanding technique make her Schoenberg, Berg and Webern well worth hearing, however many other version of these works you have in your collection. She brings a marvellous spontaneity and sense of drama to the more overtly romantic compositions here – Berg's Sonata and Schoenberg's Op 11 Pieces. This certainly isn't one of those accounts of the Berg where you question the composer's wisdom in marking the first section for repeat. As for the Schoenberg, never has one been more aware of this music's closeness in time and spirit to the cataclysmic world of the monodrama Erwartung. Uchida's earlier recording of Op 11 was warmly praised, and this one is no less accomplished. Elsewhere, her relish for strongly juxtaposed contrast risks occasional over-emphasis, as in the third of the Op 19 pieces, and the virtues of more sharply articulated playing in this repertory are demonstrated on Peter Hill's admirable super-bargain-price Naxos disc. His account of Webern's Variations is exemplary in its clarity and feeling for line; yet Uchida manages to suggest deeper links with more romantic perspectives without in any way traducing the music's inherent radicalism.
Links with romanticism are even more explicit in the texture and thematic character of Schoenberg's Concerto, and this performance places the work firmly in the tradition of Liszt and Brahms. Not even Pierre Boulez can bring ideal lucidity to the occasionally lumpy orchestral writing, but the performance as a whole, with excellent sound, has an attractive sweep and directness of utterance.”

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