“Early recording artists such as Florencio Constantino and Mario Ancona...add resonance and historical breadth to a project that already scours widely, and selectively. One could hardly hope for a more splendidly purposeful and powerful start than that provided by Martinelli in Torna a Surriento. An enviable opportunity to hear the fresh voiced, passionate Lanza in his 1955 recording of Dicitencello vuje should not be spurned.”
Click on any of the works listed above for alternative recordings.
