Wagner: Der fliegende Holländer

RCO Live: RCO14004

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Wagner: Der fliegende Holländer

Awards:

Gramophone Magazine

Editor's Choice - May 2015

Label:

RCO Live

Catalogue No:

RCO14004

Discs:

2

Release date:

24th Nov 2014

Barcode:

0814337019068

Length:

2 hours 15 minutes

Medium:

CD (download also available)

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Wagner: Der fliegende Holländer


Terje Stensvold (Der Holländer), Kwangchul Youn (Daland), Anja Kampe (Senta), Christopher Ventris (Erik), Jane Henschel (Mary), Thomas Russell (Der Steuermann)

Royal Concertgebouw Orchestra, Chor des Bayerischen Rundfunks, WDR Rundfunkchor Köln & NDR Chor, Andris Nelsons

CD - 2 discs

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The Wagner year 2013 brought something special to the Royal Concertgebouw Orchestra's concert schedule. The RCO pulled out all the stops with a full performance of this Wagner opera in concert version. Busy carving out an impressive career for himself and making his fifth appearance at Bayreuth last summer, Andris Nelsons has certainly earned his spurs as a Wagner specialist. He is led the RCO and a cast of international soloists in 'Der fliegende Holländer', an opera about the captain of an infamous Dutch ghost ship who can be freed only by a woman who consents to marry him.

Richard Wagner: Der fliegende Hollander

Ouverture

Act I Scene 1: Introduction - Hojohe! Hallojo! Hojoha! Ho! (Chorus)

Act I Scene 1: Mit Gewitter und Sturm aus fernem Meer (Steuermann)

Act I Scene 2: Aria: Die Frist ist um (Hollander)

Act I Scene 2: Wie oft in Meeres tiefsten Schlund (Hollander)

Act I Scene 3: Duet: He! Holla! Steuermann! (Daland, Steuermann)

Act I Scene 3: Durch Sturm und bosen Wind verschlagen (Hollander)

Act I Scene 3: Wie? Hort' ich recht? Meine Tochter sein Weib? (Daland)

Act I Scene 3: Sudwind! Sudwind! (Steuermann)

Act I Scene 3: Mit Gewitter und Sturm (Chorus)

Act II Scene 4: Summ und brumm, du gutes Radchen (Chorus)

Act II Scene 4: Du boses Kind, wenn du nicht spinnst (Mary)

Act II Scene 4: Johohoe! Traft ihr das Schiff im Meere an (Senta)

Act II Scene 4: Ach! Wo weilt sie (Chorus)

Act II Scene 4: Senta! Senta! Willst du mich verderben? (Erik)

Act II Scene 5: Duet: Bleib, Senta! Bleib nur einen Augenblick! (Erik, Senta)

Act II Scene 5: Senta! Lass dir vertraun (Erik)

Act II Scene 6: Mein Kind, du siehst mich auf der Schwelle (Daland)

Act II Scene 6: Act II: Mogst du, mein Kind, den fremden Mann willkommen heissen (Daland)

Act II Scene 6: Wie aus der Ferne langst vergang'ner Zeiten (Hollander)

Act II Scene 6: Wirst du des Vaters Wahl nicht schelten? (Hollander)

Act II Scene 6: Ein heil'ger Balsam meinen Wunden (Hollander)

Act II Scene 6: Verzeiht! Mein Volk halt draussen sich nicht mehr (Daland)

Act III: Entr'acte

Act III Scene 7: Steuermann, lass die Wacht! (Chorus)

Act III Scene 7: Mein! Seht doch an! Sie tanzen gar! (Madchen, Herren, Steuermann)

Act III Scene 7: Johohohe, Johohohe! Hoe! Hoe! (Chorus)

Act III Scene 8: Was musst' ich horen (Erik, Senta)

Act III Scene 8: Cavatina: Willst jenes Tags du nicht dich mehr entsinnen (Erik)

Act III Scene 8: Verloren! Ach, verloren! Ewig verlor'nes Heil! (Hollander)

Act III Scene 8: Erfahre das Geschick, vor dem ich dich bewahr'! (Hollander)

MusicWeb International

February 2015

“Every semi-quaver is beautifully articulated and precisely enunciated, but there is a long-breathed grandeur to the sound that positively glows in the resonant acoustic.”

The Observer

8th March 2015

****

“this tempestuous performance would be worth having for chorus and orchestra alone, but it has strong soloists too: Terje Stensvold, warm and only too chillingly persuasive in the title role; Anja Kampe an urgent, obsessed Senta...There’s no shortage of great recordings out there, but if the excitement and risk of live performance appeals, this is a must.”

BBC Music Magazine

April 2015

***

“Stensvold's Dutchman is noble and warm-toned, but conveys little deep feeling...That leaves the honours to Jane Henschel's lively Mary, and still more to Anja Kampe's Senta. Her voice has hardened somewhat...but her expressive power more than compensates, a compellingly passionate, impetuous performance.”

Gramophone Magazine

May 2015

“The conductor and his orchestra are exciting throughout … there’s always time and (musical) balance for the provate moments in a basically swift traversal of the score … Stensvold’s enunciation of the role through the text is both moving and understanding … Fine recording. Hugely recommended.”

Wagner Journal

June 2015

“Ventris is an ardent yet sensitively attuned Erik and Russell Thomas a fresh voiced, agile Steersman. Anja Kampe provides one of the best Sentas on disc … there’s a welcome fullness and firmness to her tone at all levels of pitch and dynamic, together with a sense of identification with the character’s obsessiveness … a well performed account of Wagner’s Hollander”

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