Bach Cantatas Volume 19

SDG: SDG115

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Bach Cantatas Volume 19

Label:

SDG

Catalogue No:

SDG115

Series:

Gardiner Bach Cantatas

Discs:

2

Release date:

6th Feb 2006

Barcode:

0843183011520

Length:

2 hours 6 minutes

Medium:

CD (download also available)
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Bach Cantatas Volume 19

Cantatas for the Second and Fourth Sundays after Epiphany

Bach, J S:

Cantata BWV155 'Mein Gott, wie lang, ach lange'

Cantata BWV3 'Ach Gott, wie manches Herzeleid'

Cantata BWV13 'Meine Seufzer, meine Tränen'

Cantata BWV26 'Ach wie flüchtig, ach wie nichtig'

(for the Twenty-fourth Sunday after Trinity)

Cantata BWV81 'Jesus schläft, was soll ich hoffen?'

Cantata BWV14 'Wär Gott nicht mit uns diese Zeit'

Motet BWV227 'Jesu, meine Freude'

Joanne Lunn, Richard Wyn Roberts, Julian Podger, Gerald Finley, Katharine Fuge, William Towers, Paul Agnew, Peter Harvey

The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner

CD - 2 discs

$21.25

(also available to download from $21.00)

In stock - usually despatched within 1 working day.

Johann Sebastian Bach: Mein Gott, wie lang, ach lange, BWV 155

playRecitative: Mein Gott, wie lang, ach lange? (Soprano)

playAria Duet: Du musst glauben, du musst hoffen (Alto, Tenor)

playRecitative: So sei, o Seele, sei zufrieden! (Bass)

playAria: Wirf mein Herze, wirf dich noch (Soprano)

playChorale: Ob sichs anliess, als wollt er nicht

Johann Sebastian Bach: Ach Gott, wie manches Herzeleid, BWV 3

playAch Gott, wie manches Herzeleid (Chorus)

playRecitative and Chorale: Wie schwerlich lasst sich Fleisch und Blut

playAria: Empfind ich Hollenangst und Pein (Bass)

playRecitative: Es mag mir Leib und Geist verschmachten (Tenor)

playAria Duet : Wenn Sorgen auf mich dringen (Soprano, Alto)

playChorale: Erhalt mein Herz im Glauben rein

Johann Sebastian Bach: Meine Seufzer, meine Tranen, BWV 13

playAria: Meine Seufzer, meine Tranen (Tenor)

playRecitative: Mein liebster Gott lasst mich annoch (Alto)

playChorale: Der Gott, der mir hat versprochen (Alto)

playRecitative: Mein Kummer nimmet zu (Soprano)

playAria: Achzen und erbarmlich Weinen (Bass)

playChorale; So sei nun, Seele

Johann Sebastian Bach: Ach wie fluchtig, ach wie nichtig, BWV 26

playAch wie fluchtig, ach wie nichtig (Chorus)

playAria: So schnell ein rauschend Wasser schiesst (Tenor)

playRecitative: Die Freude wird zur Traurigkeit (Alto)

playAria: An irdische Schatze das Herze zu hangen (Bass)

playRecitative: Die hochste Herrlichkeit und Pracht (Soprano)

playChorale: Ach wie fluchtig, ach wie nichtig

Johann Sebastian Bach: Jesus schlaft, was soll ich hoffen, BWV 81

playAria: Jesus schlaft, was soll ich hoffen? (Alto)

playRecitative: Herr, warum trittest du so ferne? (Tenor)

playAria: Die schaumenden Wellen von Belials Bachen (Tenor)

playArioso: Ihr Kleinglaubigen, warum seid ihr so furchtsam? (Bass)

playAria: Schweig, aufgeturmtes Meer! (Bass)

playRecitative: Wohl mir, mein Jesus spricht ein Wort (Alto)

playChorale: Unter deinen Schirmen

Johann Sebastian Bach: War Gott nicht mit uns diese Zeit, BWV 14

playWar Gott nicht mit uns diese Zeit (Chorus)

playAria: Unsre Starke heisst zu schwach (Soprano)

playRecitative: Ja, hatt ess Gott nur zugegeben (Tenor)

playAria: Gott, bei deinem starken Schutzen (Bass)

playChorale: Gott Lob und Dank

Johann Sebastian Bach: Jesu, meine Freude, BWV 227

playJesu, meine Freude

playEs ist nun nichts Verdammliches

playUnter deinem Schirmen

playDenn das Gesetz des Geistes

playTrotz dem alten Drachen

playIhr aber seid nicht fleischlich

playWeg mit allen Schatzen!

playSo aber Christus in euch ist

playGute Nacht, o Wesen

playSo nun der Geist

playWeicht, ihr Trauergeister

Gramophone Classical Music Guide

2010

“Gardiner's performance of Ach Gott, wie manchesHerzeleid bends the ear towards the power of doleful dissonance, as the opening chorus wends its way through the 'narrow path of sorrow' with all the emblematic trappings of the operatic chaconne. Equally compelling is the taut, cathartic duet 'Wenn Sorgen', where Joanne Lunn and Richard Wyn Roberts chase each other in canonic bliss – in what Gardiner describes as Bach's 'Singin' in the Rain'.
Indeed, it is the naturalness of the solo singing that marks out this latest volume. Not always smoothed out or glamorous, the response is always fresh, engaged and alive to text. Roberts proclaims his consoling chorale in Meine Seufzer with a fervour encapsulated in the opening aria by the passionate angst of Julian Podger's exhortation and – if it seemed possible – yet greater despair from the slightly uneven but characterful Gerald Finley in 'Ächzen und erbärmlich Weinen'.
William Towers brings a telling control and declamation to the fine opening aria of Jesusschläft. Gardiner rightly asserts that few places reveal the operatic Bach more triumphantly than the peerlessly graphic aria 'Die schäumenden Wellen' – especially in the slightly more forgiving space of Romsey Abbey, allowing Paul Agnew to let rip brilliantly. Bach is not just profoundly arrested by the raging sea but also by the implications of faith following Jesus's calming miracle in Peter Harvey's authoritative 'Vox Christi' scena. The bonus of the great motet Jesu, meine Freude, performed with customary vividness if not polish by the Monteverdi Choir, completes another memorable addition to the series.”

Gramophone Magazine

September 2006

“Gardiner's performance of Ach Gott, wie manches Herzeleid bends the ear towards the power of doleful dissonance, as the opening chorus wends it way through the 'narrow path of sorrow' with all the emblematic trappings of the operatic chaconne. Equally compelling is the taut, cathartic duet 'Wenn Sorgen', where Joanna Lunn and Richard Wyn Roberts chase each other in canonic bliss - in what Gardiner describes as Bach's Singin' in the Rain. The bonus of the great motet Jesu, meine Freude, performed with customary vividness if not polish by the Monteverdi Choir, completes another memorable addition to the series.”

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